R. Buckminster Fuller: Modern Day Da Vinci Explores the Universe
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The last date listed for R. Buckminster Fuller: The History (and Mystery) of The Universe was Saturday July 3, 2010 / 8:00pm.
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Miraculously retaining its comic timing and timeless wit more than a century later, Jerome K. Jerome's Three Men in a Boat (To Say Nothing of the Dog) was originally published as a hilarious novel in 1889. Written as a travelogue, the lively story tells of three young men -- and a devoted terrier named Montmorency (played here by ... well, not a dog) -- on a boating holiday that quickly devolves into a series of absurd misadventures. Directed by Derek Goldman (and featuring D.C. theater favorites Tim Getman, Tom Story, Rob Jansen and Alex Mills), this adaptation brings to life one of the funniest novels of all time in a must-see show. Learn More
Reviews & Ratings
Featured review from Goldstar Member
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It was great to get an intimate understanding of Buckminster Fuller's life and work, and I think the show did a great job of presenting it in an entertaining, enlightening and even compassionate way. There is so much we STILL need to learn from this brilliant thinker. Go! If it's your cup of tea. (The guy next to me fell asleep and didn't return for the second act. His loss).
Quotes & Highlights
“As startlingly funny as it is intellectually stimulating.” —San Francisco Examiner.
_R. Buckminster Fuller: The History (and Mystery) of The Universe _is based on Fuller’s life and writings. Referred to as one of the world’s first futurists, many of Fuller’s ideas continue to shape the fields of science and philosophy today. Fuller was a true renaissance man who used engineering, architecture, poetry and cosmology to find solutions to worldwide problems like poverty and starvation. Fuller’s most recognized invention is the geodesic dome, an energy- and cost-efficient spherical structure of interlocked triangles. He was committed to helping mankind by pioneering ideas of sustainability and energy usage.
“While he was alive, Bucky was most often described as an architect, but the architects said, ‘No he’s an engineer.’ The engineers said, ‘No, he’s a mathematician.’ The mathematicians said, ‘He might be a geometer, but really, he’s a poet.’ The poets said, ‘No, he’s a utopian philosopher.’ The philosophers said, ‘No, he’s an architect.’ No one quite claimed him as one of their own," said Jacobs. "But everyone heard him speak about fields other than their own specialization. However, it’s been acknowledged that artists always recognized him as one of their own. His call for a design science revolution was a call to integrate the best insights, methods and intuitions of artists, scientists and technologists.”
From the playwright, D.W. Jacobs: “In 1967, right after high school, my brother Steve and I worked for a month as waiters in D.C., spending our days off in the National Gallery and wandering the Mall. In 1968, as I started flirting with theatre, Steve insisted I come see Bucky lecture at the College of Creative Studies at UCSB. Amidst assassination, war and overarching turmoil, Bucky’s curious voice carved a path to the future. We are now catching up with his perception that war is obsolete, his playful invitation to rethink everything we know, and his insistence on action based on individual integrities and whole system synergies.”
About the Ticket Supplier: Arena Stage
Arena Stage today stands as a flagship American theater. Arena Stage was one of the first not-for-profit theaters in the United States, as well as a pioneer of the regional theater movement. It was the first regional theater to transfer a production to Broadway, the first invited by the U.S. State Department to tour behind the Iron Curtain, and the first to receive a Tony Award. Taking a leadership role in extending theater’s horizons, Arena Stage has implemented groundbreaking policies and programs, promoting diversity in all aspects of theater, from theatergoing to production.
The Arena Stage legacy of world-class productions includes vast epics, charged dramas, rousing musicals, and probing profiles. From the monumental to the developmental, Arena Stage has helped build the canon of American theater. While they produce American classics, Arena Stage premieres new American plays and supported works in progress. They’ve nurtured artistic growth and engaged the community, broadening and intensifying the theatrical experience for one and all. And yet, in spite of it all, in their second half-century they see themselves as more fresh, restless and dynamic than ever.