The Screwtape Letters: Theatrical Adaptation of C.S. Lewis' Classic Novel
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The last date listed for The Screwtape Letters was Saturday June 9, 2012 / 8:00pm.
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Quotes & Highlights
“A humorous and lively stage adaptation …The devil has rarely been given his due more perceptively and eruditely … clever and satirical … A large part of what makes it successful is the energetic performance by Max McLean as Screwtape." -The New York Times
“Wickedly witty … it is, if I may say so, one hell of a good show! Lewis’ topsy-turvy exercises in inverted moral theology were made to be played with lip-smacking relish!”-The Wall Street Journal
“Sly, funny, handsomely produced … the devil is an equal-opportunity entertainer."—Washington Post
The performance runs 90 minutes with no intermission and is recommended for audiences ages 13 years old and older.
Now in its second smash year, The Screwtape Letters’ National Tour has delighted capacity audiences in 50 major cities including Los Angeles, San Francisco, Atlanta, Boston, Salt Lake City, Orlando, Seattle, Dallas and Houston. Over 200,000 have seen this production on tour, which continues to attract a national following.
The Screwtape Letters creates a topsy-turvy morally inverted universe set in an eerily stylish office in hell, where God is called the “Enemy” and the devil is referred to as “Our Father below.” The play follows His Abysmal Sublimity Screwtape, Satan’s top psychiatrist (due to his profound understanding of human nature), and his slavish creature-demon Toadpipe, as they train an apprentice demon, Wormwood, on how to ruin the life and damn the soul of an unsuspecting human on earth. Screwtape is played by award-winning actor Max McLean.
Along with The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce and Mere Christianity, The Screwtape Letters is still one of Lewis’ most popular and influential works. The book’s piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self-recognition made it an immediate success. When first published in 1942 it brought worldwide fame to this little-known Oxford don including the cover of Time Magazine.
Lewis dedicated it to his close friend J. R. R. Tolkien who had expressed to Lewis that delving too deeply into the craft of evil would have consequences. Lewis admitted as much when he wrote “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”
The Screwtape Letters is produced by New York City based Fellowship for the Performing Arts. Max McLean serves as Artistic Director. Executive Producer and General Manager is Ken Denison of Aruba Productions. Scenic Design is by Cameron Anderson, Costumes by Michael Bevins, Lighting Design by Jesse Klug, and Original Music and Sound Design by John Gromada.