August Wilson's Joe Turner's Come and Gone from Centerstage
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The last date listed for Joe Turner's Come and Gone was Sunday January 13, 2008 / 2:00pm.
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Shakespeare saved his best for last: his final play, The Tempest, is his most magical and engrossing tale. It follows the adventures of Prospero, an exiled duke who lives as the master of an enchanted isle abounding with fantastical creatures, mystery, music and romance. When a shipwreck delivers Prospero's enemies to the island, the plot thickens as his beloved daughter falls for one of the castaways. Bring a lawn chair and a picnic basket and enjoy this outdoor production from the Olney Theatre Center at the Root Family Stage. In celebration of the 65th anniversary of the National Players -- OTC's touring company of young professional actors -- celebrated National Player "veterans" will compose half the cast while current company members will take the younger roles. See event description for more details. Learn More
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Set in a Pittsburgh boarding house in 1911, Joe Turner’s Come and Gone examines African Americans’ search for their cultural identity following the repression of American slavery. For Herald Loomis, this search involves the physical migration from the South to Pittsburgh in an attempt to find his wife. Herald’s search for his identity, represented as his song, is unsuccessful until he has embraced the pain of both his own past and the past of his ancestors and moved on to self-sufficiency.
By August Wilson
Directed by Derrick Sanders
August Wilson’s Joe Turner’s Come and Gone, first produced in 1986 by the Yale Repertory Theatre, was published in the United States in 1988. The play was inspired both by the 1978 Romare Bearden artwork Mill Hand’s Lunch Bucket and the blues song “Joe Turner’s Come and Gone.” The song, which was recorded by legendary blues artist W. C. Handy, was first sung by many estranged black women who had lost their husbands, fathers, and sons to Joe Turner—a plantation owner who illegally enslaved blacks in the early twentieth century.
Joe Turner’s Come and Gone is the third play in Wilson’s ten-play historical cycle, in which the playwright is chronicling the African-American experience in the twentieth century by devoting a play to each decade. Joe Turner’s Come and Gone represents the 1910s.
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