August Wilson's Joe Turner's Come and Gone from Centerstage
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The last date listed for Joe Turner's Come and Gone was Sunday January 13, 2008 / 2:00pm.
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Set in the French Antilles, this celebratory musical from the Tony Award-winning creators of Ragtime and Seussical combines elements of both Romeo and Juliet and The Little Mermaid. The result is an exhilarating, calypso-tinged story filled with infectious rhythms, rousing dance and exuberant theatricality. The Tony-nominated hit chronicles the fairy-tale love of a young peasant girl for a handsome young aristocrat -- a love that leads her to save him from death. As the gods debate the star-crossed lovers' fate, the islanders gather to sing and celebrate the hope of the human spirit. Olney's production is directed by Alan Muraoka, proprietor of Sesame Street's Hooper's Store since 1997. Learn More
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Set in a Pittsburgh boarding house in 1911, Joe Turner’s Come and Gone examines African Americans’ search for their cultural identity following the repression of American slavery. For Herald Loomis, this search involves the physical migration from the South to Pittsburgh in an attempt to find his wife. Herald’s search for his identity, represented as his song, is unsuccessful until he has embraced the pain of both his own past and the past of his ancestors and moved on to self-sufficiency.
By August Wilson
Directed by Derrick Sanders
August Wilson’s Joe Turner’s Come and Gone, first produced in 1986 by the Yale Repertory Theatre, was published in the United States in 1988. The play was inspired both by the 1978 Romare Bearden artwork Mill Hand’s Lunch Bucket and the blues song “Joe Turner’s Come and Gone.” The song, which was recorded by legendary blues artist W. C. Handy, was first sung by many estranged black women who had lost their husbands, fathers, and sons to Joe Turner—a plantation owner who illegally enslaved blacks in the early twentieth century.
Joe Turner’s Come and Gone is the third play in Wilson’s ten-play historical cycle, in which the playwright is chronicling the African-American experience in the twentieth century by devoting a play to each decade. Joe Turner’s Come and Gone represents the 1910s.
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