Franz Kafka's Delightfully Grotesque Metamorphosis Makes its American Premiere
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The last date listed for Metamorphosis was Sunday July 24, 2011 / 2:00pm.
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To study philosophy or not to study philosophy, that is the question, or one of them, faced by the famed Prince of Denmark as he returns for his senior year of college, circa 1518. In David Davalos' hyper-literate comedy, Hamlet is desperately trying to focus on improving his tennis game while philosophy prof Dr. Faustus and theologist Martin Luther engage in a spirited volley to try to lure him into their schools of thought. Wittenberg, winner of the prestigious Edgerton Foundation New American Plays Award, makes its Bay Area premiere, courtesy of Aurora Theatre Company. Learn More
Reviews & Ratings
Featured review from Renee S.Red Velvet
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We had not read nor seen Metamorphosis before, so setting this in 1950's America seemed fine. We found the entire production fascinating, the story line alternately amazing and horrifying, the set imaginative, and the acting great. Gregor is very athletic in his crawling and climbing around and sadly frustrated by his inability to communicate with his family. Daughter did a good job and the boarder was great. Made a very enjoyable evening for us, and we will probably attend a more traditional setting of the play when available for comparison.
Quotes & Highlights
Check out a behind-the-scenes video at the Aurora website.
By Franz Kafka
Adapted by David Farr and Gísli Örn Gardarsson
Directed by Mark Jackson
Closing Aurora Theatre Company’s 19th season is the first professional American production of Metamorphosis. Award-winning Bay Area director, performer and playwright Mark Jackson returns to Aurora Theatre Company, where he helmed the company’s acclaimed productions of Salome and Miss Julie, to put his own unique spin on this landmark work of existential literature.
Embodying the isolation of Franz Kafka’s unsparing tale, Metamorphosis is a masterful mix of horror and absurdity, telling the story of a traveling salesman’s bizarre transformation from man to man-sized insect. This powerful exploration of alienation, a terrifying — yet comic — adaptation of Kafka’s classic 1915 novella by British director David Farr and Icelandic actor-director Gísli Örn Gardarsson of Iceland’s Vesturport Theatre, was hailed as “a parable for our times” by The Daily Telegraph (UK). Performed in London’s West End, Dublin, Australia, and Hong Kong, “It’s the story of a very ordinary family where something awful happens,” Farr says. “But there is a lot of laughter in among the awfulness.”
About Franz Kafka
Despite his great impact on the literary world, Franz Kafka was a relatively unknown author during his lifetime. Kafka was born into a middle-class, German-speaking Jewish family in Prague, the capital of Bohemia; he was the eldest of six children. His father was a self-made middle class merchant who began as a traveling salesman; he raised his children in the hopes of assimilating them into the mainstream society of the Austro-Hungarian Empire. Kafka learned German as his first language, but he became fluent in Czech and later acquired knowledge of French language and culture; one of his favorite authors was Flaubert. Admitted to the Charles University of Prague, Kafka first studied chemistry, but switched after two weeks to law. In 1917, he began to suffer from tuberculosis, which required frequent convalescence; during this time he was supported by his family, most notably his sister, Ottla. In 1923, he briefly moved to Berlin in the hope of distancing himself from his family’s influence to concentrate on his writing. It is thought that Kafka also suffered from clinical depression and social anxiety throughout his entire life; he also suffered from migraines, insomnia, constipation, boils, and other ailments brought on by excessive stress. Kafka’s tuberculosis worsened; he returned to Prague, then went to a sanatorium near Vienna for treatment, where he died on June 3, 1924. His body was returned to Prague, where he was interred on June 11, 1924, in the New Jewish Cemetery in Prague-Zizkov.
Most of Kafka’s writing, much of it unfinished at the time of his death, was published posthumously. During his lifetime, he published only a few short stories. He finished the novella The Metamorphosis, but never finished any of his full-length novels; his unfinished work was prepared for publication after his death by his friend and literary executor Max Brod. The novella The Metamorphosis (Die Verwandlung) was published in 1915; full-length novels include The Trial (Der Prozeß, 1925), The Castle (Das Schloß, 1926), and Amerika (Amerika or Der Verschollene, 1927).