Alice Childress' Powerful Play Trouble in Mind at the Aurora
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All offers for Trouble in Mind have expired.
The last date listed for Trouble in Mind was Sunday October 3, 2010 / 2:00pm.
Currently at Aurora Theatre Company:
- Full Price:
- $39.00 - $46.00
- Our Price:
- $19.50 - $23.00
To study philosophy or not to study philosophy, that is the question, or one of them, faced by the famed Prince of Denmark as he returns for his senior year of college, circa 1518. In David Davalos' hyper-literate comedy, Hamlet is desperately trying to focus on improving his tennis game while philosophy prof Dr. Faustus and theologist Martin Luther engage in a spirited volley to try to lure him into their schools of thought. Wittenberg, winner of the prestigious Edgerton Foundation New American Plays Award, makes its Bay Area premiere, courtesy of Aurora Theatre Company. Learn More
Reviews & Ratings
Featured review from Goldstar MemberRed Velvet
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"Trouble In Mind" was written in 1955 and resonates as if it was written today. The plot is startlingly modern and a wonderful antidote to the fantasy of a post racial America.
The play is very very witty and funny, a marvelous feat for the themes that are touched upon. This is not a one note "race" play. In particular the commentary on the world of theater is especially well done.
There was a flavor of "Mad Men" in this production leant by actors Tim Knifflin and Melissa Quine (a January Jones look alike).
This was a very strong preview performance.
Written by Alice Childress
Directed by Robin Stanton
Robin Stanton (Speech & Debate, Betrayed, Permanent Collection) directs this play about race, identity, and opportunity, featuring Bay Area favorite Margo Hall in her Aurora Theatre Company debut, along with Tim Kniffin, Rhonnie Washington, Elizabeth Carter, Michael Ray Wisely, Earll Kingston, Patrick Russell, Jon Gentry, and Melissa Quine.
More than 40 years after it was written, Trouble in Mind, according to The New York Times, “still has the power to make one feel its anger and humor.” Set during the early years of the Civil Rights movement, it offers a disconcerting yet disarmingly funny look at the inequalities of American life in the 1950s, and the half-truths we tell ourselves about race relations and societal progress in America.
Trouble in Mind follows a cast of black and white actors attempting to mount a production of a “progressive” new play. The play-within-the-play, entitled Chaos in Belleville, an anti-lynching drama set in the South, written by a white writer and directed by a white director, marks the first opportunity for Wiletta Mayer, a gifted African American actress, to play a leading lady on Broadway. But what compromises must she make to succeed?
Alice Childress was the first female writer to win an Obie Award for the off-Broadway Trouble in Mind_. In a twist of irony echoing the play itself, she was offered a chance to take the play to Broadway — with the caveat that she would rewrite the ending and change the title. Childress refused, and the following year Lorraine Hansberry’s A Raisin in the Sun_ went on to become the first Broadway play written by an African American woman.