Next Fall: Round House Theatre Stages the Recent Broadway Hit
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The last date listed for Next Fall was Sunday February 26, 2012 / 3:00pm.
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Shakespeare saved his best for last: his final play, The Tempest, is his most magical and engrossing tale. It follows the adventures of Prospero, an exiled duke who lives as the master of an enchanted isle abounding with fantastical creatures, mystery, music and romance. When a shipwreck delivers Prospero's enemies to the island, the plot thickens as his beloved daughter falls for one of the castaways. Bring a lawn chair and a picnic basket and enjoy this outdoor production from the Olney Theatre Center at the Root Family Stage. In celebration of the 65th anniversary of the National Players -- OTC's touring company of young professional actors -- celebrated National Player "veterans" will compose half the cast while current company members will take the younger roles. See event description for more details. Learn More
Parking very accessible in facility adjacent to theater which is reachable by an elevator that delivers patrons directly to the theater lobby. A flat fee of $5. with ticket stub for evening. Garage closes at 11 pm so diing after the show means one needs possibly to move car.Ordinary Days info • Jun 13 2014 star this tip starred
Reviews & Ratings
Featured review from Goldstar Member
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A Timely Meditation on Sexual Identity, Love & Loss
Reviewed by Victoria D.
As the country heatedly debates the civil liberties of the GLBT community, Round House Theatre offers a timely meditation on the complexities of sexual identity, love and loss in the play, "Next Fall." In it, a group of friends and family confer in a hospital waiting room as Luke, a (sometimes) closeted gay actor, remains unconscious after a tragic accident. As his life hangs in the balance, each of Luke’s loved ones struggles to boost morale and temper emotional jabs as the going gets not only tough, but downright brutal.
Though a play largely about confronting one’s skeletons in the midst of crisis, "Next Fall" is mostly blithe and upbeat, the characters self-effacing and refreshingly flawed. Tom Story effortlessly juggles a constantly fluctuating range of emotions as the lead character, Adam, a forty-something hypochondriac whose romance with Luke challenges his worldview. Likewise Kathryn Keller is memorable as Luke’s batty, but well-intentioned mother Arlene, whose social faux pas and zany stories serve as comic relief. Dawn Ursula also delivers a beautifully grounded performance as Holly, loyal friend and the play’s consistent voice of reason. Unfortunately actor Alexander Strain’s stoic portrayal of Luke’s once close now distant friend, Brandon seems out of place amongst an ensemble of colorful characters with much more strongly developed backstories.
Most unforgettable, however, is the youthful and sensitive portrayal of Luke (told in flashback) by Chris Dinolfo particularly when juxtaposed against Kevin Cutts’ intense and equally impressive portrayal of Butch as Luke’s mannish and unyielding father. Despite the similar Christian values of their characters, Dinolfo expertly depitcts Luke’s devotion to his religion with naivety and benevolence while Cutts portrays Butch as a man much more dogmatically bound to his faith. The end result is a tense, heartbreaking and deeply relatable struggle between father and son. Equally convincing is the chemistry between Dinolfo and Story, who are not only lovers in the play, but who are a couple off-stage as well.
Also notable is director Mark Ramont’s masterful balance of the play’s non-linear structure. Set designer, Daniel Conway’s rotating set certainly helps, making clear the numerable transitions between scenes set in the past and present. Likewise Daniel Maclean Wagner’s intuitive lighting design and Matthew Nielson’s sound composition are together a successful shadowy and emotive concoction – moody without becoming melodramatic.
A play with but a miniscule flaw, "Next Fall" is full of enough familiar humor to make it worth the tear or two audiences will inevitably shed by the story's touching end.
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The first act was weak, with mainly just exposition and lots of jokes. The second act was much stronger. So many strands in the play were left undone. What was the purpose of having the character Brandon in the play? What happened after the...continued
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The quality of acting is superb! The play brings home the need to talk about important issues with loved ones while you can. The perfect moment never comes... you have to create it. Very thought provoking script. Staging was interesting with 2...continued
The performance is recommended for audiences ages 15 years old and older.