Dark War Comedy Bengal Tiger at the Baghdad Zoo
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The last date listed for Bengal Tiger at the Baghdad Zoo was Saturday November 17, 2012 / 8:00pm.
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My Son the Waiter, A Jewish Tragedy tells the humor-filled and heartwarming tale of actor-comedian Brad Zimmerman, whose 29-year quest to build a performing career is supported by a "temporary" job in the restaurant industry. Zimmerman, who's opened for Joan Rivers, George Carlin and Brad Garrett, shares stories of his oft-hilarious family, career and none-too-successful love life in this one-man show that's played to appreciative audiences across the country. You might also recognize him from The Sopranos, where he played Johnny Sack's lawyer -- so at least he could say he met his parents' expectations, even if it was as a fictional character. Learn More
Reviews & Ratings
Featured review from Goldstar Member
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A very interesting, if dark, play--fantasy commenting on the problems of human existence. Many meaningful, provocative lines pass by so quickly that you'll need either to see the play again or read the script.
Very well played by all the actors, though, of course, the tiger takes the show.
Quotes & Highlights
“It’s a uniformly strong cast, and LaCount, the artistic director of Company One, is attuned to the play’s complexity.” -Boston Globe
“At times it sounds like a war play whose foul-mouthed Marines often evoke the bedeviled men in David Rabe’s Vietnam trilogy. But it’s also redolent of theater of the absurd. It’s an inquiry into the existence, including the possible meaning of God, conducted by a tiger/philosopher who evokes Samuel Beckett. It’s a Wagnerian and Tolkien-like saga built around the whereabouts of a pistol made of gold that symbolizes greed and violence. It’s also an exploration of the work and responsibilities of the artist/playwright in the person of Saddam’s gardener, the shaper of the topiary garden, who becomes an interpreter for the American military during the invasion. The script is intelligent and witty; the characters memorable.” -The Arts Fuse
“Yes, Park’s tiger is a metaphor, even an allegory; what keeps him vital is a shamanic zest for inhabiting his ‘tigerness’ both body and, well, soul. His posture, ruminations, one-liners convinced me that if a tiger’s soul could be experienced by his distant human cousins it would look and feel something like this one: padding about, philosophizing, expostulating on Company One’s stage.” —Artscope
This play contains coarse language, violence, sexual themes and loud noises. Guns are shot during the performance.