Betrayal by Harold Pinter at Boston Center for the Arts Calderwood Pavilion
* Additional fees apply.
All offers for Betrayal have expired.
The last date listed for Betrayal was Saturday June 5, 2010 / 3:00pm.
Currently at Calderwood Pavilion at the Boston Center for the Arts:
- Full Price:
- $45.00 - $60.00
- Our Price:
- $22.50 - $30.00
Sometimes "livin' large" is no kind of living at all. At least not when you're tipping the scales at 600 pounds like Charlie, the moving (but nearly immobile) protagonist of The Whale. Since the death of his boyfriend, Charlie has confined himself to his small Idaho apartment and is eating himself to death. His only friend, a nurse, nearly kills him with kindness while his only acquaintance, a troubled young missionary, is determined to rescue his soul. Unwilling to seek medical treatment despite his rapidly declining health, Charlie instead attempts to reconnect with the teenage daughter he hasn't seen in 15 years. Obie Award-winning playwright Samuel D. Hunter (A Bright New Boise) wrote this humorous and devastating drama that won the 2013 Lucille Lortel Award for Outstanding Play. Learn More
Reviews & Ratings
“Seemingly the most accessible of Mr. Pinter's major works, Betrayal draws you into a situation you think you know all too well, from literature if not life: the romantic triangle. But by unsettling degrees, you realize that not one of the trio involved in that relationship knows the whole story,”--Ben Brantley.
Roxbury resident Lyralen Kaye, is producing artistic director for an upcoming production of Betrayal by Nobel Laureate Harold Pinter. A collaboration of Another Country Productions (ACP) and the Factory Theatre, the production is a cast with Meisner-trained actors, who bring to life a lighter modern vision of the age-old topics of truth, temptation and fantasy.
“Pinter’s work is full of pauses and subtext, creating a world of subtlety in which what is not said is as important as what is,” said Kaye. “Our acting aesthetic capitalizes on the unsaid nuances of human communication. In the Meisner-driven aesthetic, audiences aren’t presented with a story; they live it vicariously through actors who are taught to create real relationships with each other. We’re excited to take audiences to the heart of infidelity and to give them a new experience of temptation."
The Factory Theatre’s Executive Director and Co-Producer Greg Jutkiewicz, is also enthusiastic about the technique. “I could see from my first collaboration with Lyralen and ACP in 2009 that audiences recognized something different in the style of acting. They told me everything felt more real, and they kept coming back.”
Director Gail Phaneuf’s vision adds to this reality. Rich with layers of subtext and inchoate desire, this production of Betrayal will reach beyond conventional expectations, exploring infidelity as a world two lovers embrace as a haven. This dislocated reality is the fascination of director Phaneuf’s vision, deflecting the common rush to judgment reaction.
“With famous athletes and politicians continually revealing their inability to resist temptation, and statistics identifying as many as 50 percent of marriages have affairs in their past or future, the question needs to be asked: why do affairs happen?” says Phaneuf. “This play reveals the struggle of complicated longing, and lets audiences understand the nature of forbidden temptation.”
Phaneuf’s view of the infidelity at the heart of the play reflects the desire for fantasy and a secret life, as well as its inevitable consequences. “It’s like a domino effect; once you step into it, there’s no going back. As soon as the cross-over is made, you’ve stepped into an unreal world. That illusion is what we’ll explore through our creative vision. There’s wonderful freedom as a director to create the ‘sub-textual life’ within the characters and storyline. And equally challenging, Pinter is a playwright who trusts and relies on the actor’s process.”
In theme, Betrayal is a departure for Another Country, who until now have only produced new works featuring underrepresented voices. “We’ve focused very much on bringing new voices to the stage, so it’s no surprise that the writing is what gets the attention in our productions,” says Managing Director Judy Sclarsky. “Betrayal is an opportunity to turn the audience's attention to the acting aesthetic about which we are equally passionate.”
Cast in the production are Wayne Fritsche, Lyralen Kaye, Robert Kropf and James Wilcox.