Pat Martino: Great Jazz Guitarist at Scullers Jazz Club
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The last date listed for Jazz Guitarist Pat Martino was Saturday January 24, 2009 / 10:00pm.
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Reviews & Ratings
Featured review from Goldstar Member
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Loved the organist and drummer!
Quotes & Highlights
“A master guitarist and jazz icon.” -All About Jazz
Pat Martino received Grammy nominations for Best Jazz Instrumental Album and Best Jazz Instrumental Solo in 2002.
He is one of the premier guitarists in all of jazz. Accolades include a 1997 National Academy of Recording Arts & Sciences “Songs from the Heart Award,” 2002 Grammy nominations for Best Jazz Instrumental Album, “Live at Yoshi’s”, and Best Jazz Instrumental Solo on ‘All Blues;’ a
2002 National Academy of Recording Arts & Sciences “2nd Annual Heroes Award;” 2003 Grammy nominations for Best Jazz Instrumental Album, “Think Tank”, and best Jazz Instrumental Solo on ‘Africa;’ 2004 Guitar Player of the Year, Downbeat’s Readers Poll.
Born Pat Azzara in Philadelphia in 1944, ha was first exposed to jazz through his father, Carmen “Mickey” Azzara, who sang in local clubs and briefly studied guitar with Eddie Lang. He took Pat to all the city’s hot-spots to hear and meet Wes Montgomery and other musical giants. “I have always admired my father and have wanted to impress him. As a result, it forced me to get serious with my creative powers.”
He began playing guitar when he was twelve years old. and left school in tenth grade to devote himself to music. During Visits to his music teacher Dennis Sandole, Pat often ran into another gifted student, John Coltrane, who would treat the youngster to hot chocolate as they talked about music.
Besides first-hand encounters with `Trane and Montgomery, whose album Grooveyard had “an enormous influence” on Martino, he also cites Johnny Smith, a Stan Getz associate, as an early inspiration. “He seemed to me, as a child. to understand everything about music,” Pat recalls.
Martino became actively involved with the , early rock scene in Philadelphia, alongside stars like Bobby Rydell, Chubby Checker and Bobby Darin. His first road gig was with jazz organist Charles Earland, a high school friend. His reputation soon spread among other jazz players, and he was recruited by bandleader Lloyd Price to play hits such as Stagger Lee on-stage with musicians like Slide Hampton and Red Holloway.
Martino moved to Harlem to immerse himself in the “soul jazz” played by Earland and others. Previously, he had “heard all of the white man’s jazz. I never heard that other part of the culture,” he remembers. The organ trio concept had a profound influence on Martino’s rhythmic and harmonic approach. and he remained in the idiom as a sideman, gigging with Jack McDuff and Don Patterson. An icon before his eighteenth birthday, Pat was signed as a leader for Prestige Records when he was twenty. His seminal albums from this period include classics like Strings!, Desperado, El Hombre and Baiyina (The Clear Evidence), one of jazz’s first successful ventures into psychedelia.
In 1976, Martino began experiencing the excruciating headaches which were eventually diagnosed as symptoms of his aneurysms. After his surgery and recovery, he resumed his career when he appeared in1987 in New York, a gig that was released on a CD with an appropriate name, The Return. He then took another hiatus when both of his parents became ill, and he didn’t record again until 1994, when he recorded Interchange and then The Maker.
Today, Martino lives in Philadelphia again and continues to grow as a musician. As the New York Times recently noted, “Mr. Martino, at fifty, is back and he is plotting new musical directions, adding more layers to his myth.” His experiments with guitar synthesizers, begun during his rehabilitation, are taking him in the direction of orchestral arrangements and they promise groundbreaking possibilities. Musicians flock to his door for lessons, and he offers not only the benefits of his musical knowledge, but also the philosophical insights of a man who has faced and overcome enormous obstacles. “The guitar is of no great importance to me,” he muses. “The people it brings to me are what matter. They are what I’m extremely grateful for, because they are alive. The guitar is just an apparatus.”
About the Ticket Supplier: Scullers Jazz ClubScullers Jazz Club sets a new standard for Jazz Clubs in Boston and throughout the United States with a World-Class roster of renowned Jazz Artists, a stellar sound system and an intimate setting reminiscent of the classic Jazz Clubs of the past.
Since its inception in October of 1989, Scullers Jazz Club has become a Boston landmark for visitors to the area as well as local Bostonian's who have become valued friends over the years.