Venue Details

738 Star Starred
Calderwood Pavilion at the Boston Center for the Arts
Between Berkeley & Clarendon Streets 527 Tremont Street Boston, MA 02116
617-266-0800
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parking lot right behind the Calderwood for $20 (night rate)
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Picco's for an ice cream before. Get Clarendon garage parking stub validated.
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Reviews & Ratings

28 ratings
3.6 average rating
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Goldstar Member
23 events
2 reviews
0 stars
attended Sep 26 2008

The play was wonderful. I saw the show with two friends, and we all loved it. The actress, who played Clara's mother, was brilliant.

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11 events
7 reviews
3 stars
attended Sep 27 2008

Thin book; HS Senior acting class quality.

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6 events
5 reviews
0 stars
attended Oct 18 2008

Great acting and very good voices. Songs themselves were not memorable.

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View All 15 Reviews
More Information

Website

http://www.speakeasystage.com/showpage_piazza.php

Quotes & Highlights

“This ‘light’ is not just lovely to listen to and to look at; it’s brimming with passion, forgiveness, and love… What’s new at SpeakEasy – and it makes all the difference – is that now it touches the heart.”_ -Boston Globe_
“SpeakEasy shines brightly with The Light in the Piazza.” _-Boston Herald_
“Director Scott Edmiston’s production is tender and lovely” _ —_Boston Phoenix __

Description

SpeakEasy Stage will proudly present the Boston Regional Theatre premiere of the lush romantic musical The Light in the Piazza

Winner of 6 Tony Awards, this soaring musical whisks its audience away to Italy for a captivating tale which celebrates the beauty and passions of the human heart. 

It’s the summer of 1953, and Margaret Johnson, the wife of a North Carolina businessman, is touring the Tuscan countryside with her daughter Clara.   In their travels, Clara meets and falls for a young Florentine boy, who is dogged in his pursuit of her.  As the young couple’s love blossoms, Margaret is faced with a difficult choice:  should she reveal a truth that could destroy her daughter’s happiness; or say nothing and let fate run its course? 

This musical, which premiered in 2003 in Seattle, was adapted from Elizabeth Spencer’s popular 1960 novella of the same name.  Craig Lucas (Prelude to a Kiss_) wrote the book for the show; and Adam Guettel (_Floyd Collins) wrote the music and lyrics, which were hailed for their blend of tradition and innovation. Guettel is the grandson of composer Richard Rodgers, and the godson of composer Stephen Sondheim.  Not surprisingly, the influence of both men has been noted in the score. 

Scott Edmiston (The History Boys, The Women, Five by Tenn) will direct the SpeakEasy production.  This is Edmiston’s first musical for SpeakEasy, and his first musical since directing the 2008 Tony Award-winning Noel Coward revue A Marvelous Party for the American Repertory Theatre. 

The production reunites Edmiston with scenic designer Susan Zeeman Rogers, with whom he collaborated on the New England Premiere of Nixon in China for Opera Boston.  Teaming with Edmiston and Rogers are designers Charles Schoonmaker (costumes) and Karen Perlow (lights).

The SpeakEasy production is also notable for returning the show to its origins as an intimate chamber musical, employing 12 actors and 6 musicians to tell the story.  (The Broadway production expanded the company to 18 actors and 15 musicians).

The cast is a unique combination of performers from the worlds of opera, musical theatre, and classical theater, all of whom are making their SpeakEasy debuts. 

Wilmington, MA resident Amelia Broome leads the company as Margaret Johnson.  A native of Georgia, Ms. Broome has extensive musical theatre, opera and acting credits, most recently appearing as Katharine Hepburn in the one-woman play Tea at Five for Worcester Foothills.  She is also on the acting faculty at Emerson College.   A longtime fan of Elizabeth Spencer’s writing, Ms. Broome was given a copy of the novella The Light in the Piazza by her husband during their honeymoon in Florence. 

Erica Spyres, a newcomer to Boston, will play Clara.  A graduate of Drury University, where she studied voice and theatre with famed Sondheim interpreter Robert Westenberg,  Ms. Spyres has recently performed the roles of Rosa in _The Mystery of Edwin Drood _and Anne in A Little Night Music.

John Bambery will play Ms. Spyres’ love interest, the fiery and passionate Fabrizio Nacarelli.  John is a senior at the Boston Conservatory, where he appeared last season as Tony in their production of West Side Story.  He has also trained at the American Academy of Dramatic Arts, the Moscow Art Theater School, and the National Theater Institute at the Eugene O’Neill Theater Center.

Joel Colodner, a Portsmouth, NH resident, has appeared in Boston in productions of King John, Titus Andronicus, The Winters Tale, and A Midsummer Night’s Dream.  He was also seen this summer in the Publick Theatre productions of _The Seagull _and Hay Fever.  He has appeared Off-Broadway as Uncle Peck in How I Learned to Drive, and in major roles at The Guthrie Theatre, Long Wharf, Mark Taper Forum, Arena Stage, Hartford Stage and the Alliance Theatre of Atlanta.

Rounding out the Boston cast are Alison Eckert, Karen Fanale, Christian Figueroa, Heather Hannon, Craig Mathers, Joel Perez, Paul Soper, and Carolynne Warren.

José Delgado will music-direct and conduct.  David Connolly will choreograph.

The Light in the Piazza will be performed in the Nancy and Edward Roberts Studio Theatre in the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End.

_

The Light in the Piazza_ was developed as a musical in 2003 at the Intiman Playhouse in Seattle, and had a stop in Chicago at the Goodman Theatre in 2004, before arriving in New York.  The Broadway production opened at the Vivian Beaumont Theater at Lincoln Center on April 18, 2006, where it ran for 504 performances.  Bartlett Sher, who is currently represented on Broadway by South Pacific, directed the New York production, which featured Victoria Clark as Margaret Johnson, Kelli O’Hara as Clara, and Matthew Morrison as Fabrizio.

On June 15, 2006 shortly before its closing night, the show was broadcast on the PBS television series Live from Lincoln Center. 

Acclaimed New York playwright Craig Lucas received a Tony nomination for his work writing the book for The Light in the Piazza.  Among Mr. Lucas’ many  credits are the plays Prelude to a Kiss, Blue Window, The Dying Gaul, Stranger, Small Tragedy and The Singing Forest. His screenplays include Longtime Companion, The Secret Lives of Dentists, Prelude to a Kiss, Reckless and The Dying Gaul, the last of which he also directed. Mr. Lucas currently serves as associate artistic director at Intiman Theater in Seattle, where he recently presented a new adaption of the Chekhov classic Uncle Vanya.

Adam Guettel wrote the music and lyrics for The Light in the Piazza.  Mr. Guettel is perhaps best known for the musical Floyd Collins, for which he also wrote the music and lyrics.  His other works include Lydie Breeze at the New York Theatre Workshop; a collaboration with John Guare on Love’s Fire for The Acting Company; and _Saturn Returns: A Concert _at the Public Theatre/New York Shakespeare Festival. Mr. Guettel is the recipient of the Stephen Sondheim Award (1996), the Lucille Lortel Award (1996) and the ASCAP New Horizons Award (1997). For his work on The Light in the Piazza, he was rewarded with the 2005 Tony for Best Score. 

Now retired and widowed, author Elizabeth Spencer lives in Chapel Hill, North Carolina where she most recently was a visiting professor in creative writing at UNC. She actively followed the development of the musical and was there to offer encouragement in Seattle, Chicago and New York, contributing mostly on matters to do with Italian culture and manners.

About the Ticket Supplier: SpeakEasy Stage

Over the past nineteen seasons, SpeakEasy Stage Company has distinguished itself as Boston's premier theater staging Boston premieres. Year after year, SpeakEasy has won acclaim for presenting top-quality productions of vital, cutting-edge plays.

Recently, SpeakEasy was singled out by Variety, the entertainment newspaper, as a force in regional theater and a champion of small, often overlooked musicals.