Comic Satire The Musical of Musicals (The Musical!)
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The last date listed for The Musical of Musicals (The Musical!) was Sunday November 19, 2006 / 7:00pm.
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"All right, Mr. DeMille, I'm ready for my close-up." Chock-full of classic lines, noir style, pitch-perfect direction by Billy Wilder and an iconic performance by Gloria Swanson, Sunset Boulevard is one of the great American films. Here's your chance to see this classic the way it was meant to be seen - on the big screen. Plus, you can enjoy some wine and cheese beforehand and help raise funds for the Colony Theatre. Premiering in 1950, the film follows a struggling screenwriter (William Holden) who becomes a kept man to a fading silent film star clinging to delusions of staging a comeback. Learn More
Reviews & Ratings
Quotes & Highlights
- "Real wit, real charm! It's great fun!" --<em>New York Times</em>
- "Charming! Funny! Hits its targets with sophisticated affection!" --<em>New York Magazine</em>
- "Witty! Refreshing! Juicily merciless!" --<em>Village Voice</em>
Music by Eric Rockwell
Lyrics by Joanne Bogart
Book by Eric Rockwell & Joanne Bogart
The Musical of Musicals (The Musical!) is a musical about ... musicals! In a comic satire of musical theatre genres, one story becomes five musicals, each in the distinctive style of a different master of the form, from Rodgers and Hammerstein to Stephen Sondheim.
June, an ingenue who can't pay the rent, is threatened by her evil landlord. Will the handsome leading man come to her rescue? In an evening of variations on a theme, this basic plot is musicalized the way Rodgers and Hammerstein might have envisioned it, taking place in Kansas in August, complete with a Dream Ballet. The story is then done in the style of Stephen Sondheim, featuring the landlord as a tortured, artistic genius who slashes the throats of his tenants in revenge because they don't appreciate his art. When presented in the style of Jerry Herman, the story becomes a splashy star vehicle, while the Andrew Lloyd Webber version is a rock musical, with borrowed themes from Puccini. The story is re-told one last time in the style of Kander and Ebb, set in a speakeasy in Chicago . The tone of this evening of satire is loving/irreverent "in a sorry/grateful kind of way."