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Reviews & Ratings

4 ratings
4.0 average rating
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5 events
2 reviews
1 stars
attended Dec 31 2010

We had high expectations for The Blue Flower and we were both extremely disappointed. Although the actors have wonderful singing voices and every movement on the stage... continued

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Les
6 events
2 reviews
2 stars
attended Dec 31 2010

A highly original, totally entertaining theater experience. Interesting story taken from a not universally known period of European history (1890s to to WWI and beyond). Superb acting, singing, music.

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10 events
1 review
4 stars
attended Jan 01 2011

We have seen numerous musicals and this work is one of the most original and profound. Music and orchestra were amazing with incredible singers, actors and performers in... continued

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More Information

Website

http://www.americanrepertorytheater.org/events/show/blue-flower

Quotes & Highlights

“Abundant in imagery and imagination…an extravagant production.” —Variety
The Blue Flower is one of the best musicals I have ever seen. It’s a serious, philosophical, meditative work that incorporates a huge variety of art to further its impact. The storytelling is organic, moving seamlessly from past to present, from song to scene."  —The Weekly Dig
Watch YouTube audience tesimonials to _The Blue Flower _

Description

The Blue Flower rides the twisted rails of history and the tangled love interests of three artists and a scientist, from Paris during the Belle Epoque, through the battlefields of the Great War and beyond. The title of the piece is a reference to the symbol used by German romantic poets of the 18th and 19th centuries to signify the ongoing search for artistic perfection. Over time, it evolved into an emblem of hope and was adopted by other artists as a symbol for the simultaneous end and the beginning of all things, for reinvention and reincarnation.

Set in Germany at the end of World War I and the beginning of the Weimar Republic, The Blue Flower is inspired by the lives of historical figures Max Beckmann, Franz Marc, Hannah Höch, and Marie Curie.  Influenced by the art movements — particularly Dada and Surrealism — and the political tenor of the day, Max, Hannah, Maria, and Franz try to make sense of the world in which they struggle to create, relate, and survive. 

Their story is told through a narrative song cycle performed by seven singer/actors that blends the jagged contours of 1920’s Berlin cabaret music with the lyricism of American country and western, accompanied by an 8-piece band onstage (bassoon, pedal steel guitar, cello, accordion, piano, guitar/ drums/percussion). Projections and silent film reels punctuate the narrative, moving the story forward and enveloping the audience in an environment that invokes the Dada cathedral of Weimar Germany, the Cabaret Voltaire.

The cast includes Daniel Jenkins as Max, Meghan McGeary as Hannah, Tom Nelis as Fairytale Man, Bryce Ryness as Franz, Teal Wicks as Maria, Connor Christiansen and Paul Shafer as Dada men. Set design is by Marsha Ginsberg, Costume Design by Carol Bailey, Lighting Design by Justin Townsend, and Sound Design by Clive Goodwin. Produced by special arrangement with Stephen Schwartz, Andrew Levine, and Steve Tate.

About the Ticket Supplier: American Repertory Theater

The American Repertory Theater (A.R.T.) seeks to expand the boundaries of theatre, exploring the best texts from across cultures and ages. A resident company of professional artists, teachers, technicians, and administrators, the A.R.T. provides a home for outstanding directors, a training ground for young artists, and a vital cultural resource for the community.