500 Clown MacBeth - A Comical Reimagining of Shakespeare
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The last date listed for 500 Clown MacBeth was Saturday July 28, 2007 / 5:00pm.
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Lyric Opera of Chicago hits all the right notes with its upcoming season of shows. There's Don Giovanni, Capriccio, Il Trovatore, Porgy and Bess, Anna Bolena, Tosca, Tannhauser and The Passenger. Your subscription package features tickets for four specific shows -- plus a fifth ticket for any show of your choice throughout the entire eight-show season. Don Giovanni is Mozart's story of a legendary seducer whose selfish arrogance becomes ever more reckless and fatal. In Strauss' Capriccio, the beautiful countess must choose between the amorous poet or the ardent musician. Verdi's Il Trovatore is chock-full of love triangles, revenge plots, murder and children switched at birth, and as much drama as any soap opera. Jazz, blues and spirituals infuse George and Ira Gershwin's classic, Porgy and Bess. New production Anna Bolena is Donizetti's tour-de-force dramatization of the story of Anne Boleyn, the most famous of King Henry VIII's many wives. Puccini's Tosca is filled with political intrigue and includes one of the most beautiful arias in the operatic repertoire, "E lucevan le stelle," sung by Tosca's doomed lover as he awaits execution. Wagner's erotic and sensual Tannhäuser is both racy and lushly beautiful. And finally, Mieczyslaw Weinberg's The Passenger takes you aboard an ocean liner. It's not all smooth sailing, though, as the action vacillates between the pristine white deck above to the dark horrors of the death camp below. Learn More
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“Jaw dropping! Hilarious!” —Chicago Tribune
500 Clown Theatre, founded in 2000, presents “500 Clown MacBeth” - a wildly physical, comical and powerful re-imagining of William Shakespeare’s Macbeth – in repertory for a limited engagement in summer 2007 (with a rotating schedule) as a Steppenwolf Visiting Company Initiative.
The physical theatre artists of 500 Clown deliver their distinctive brand of deconstructed texts (based on Shelley), through physical action and clowning improvisation inspired by the immediate energy of each audience. Last seen in Chicago in 2004, this updated version includes production revisions from three years of performing these pieces on tour, presenting a reinvigorating “500 Clown Macbeth” with more dynamic and nuanced play.
“500 Clown Macbeth” smashes the original story to pieces, then tears through the rubble to forge a wild, unpredictable, devastating and hilarious deconstruction of Shakespeare’s classic. Three clowns descend upon a stage to perform the Scottish play. Infected by ambition, they compete for the title role and, in the process, they destroy the text, the set and eventually each other. Ripping through the fourth wall, the clowns generate a charged environment in which the audience is left to wonder what was planned and what was created for the first time. Featuring no red noses, big shoes nor tiny cars, 500 Clown conspires with the audience to redefine “clown” and “Macbeth” as they propel this version to its exhilarating conclusion.
Inspired by vaudevillians honing their acts on the road, 500 Clown continues tweaking each production after each performance. 500 Clown has toured in Birmingham, England; Michigan (Acorn Theatre); Maryland (Creative Alliance and Clarice Smith Performing Arts Center); Pennsylvania (Franklin & Marshall College); and goes to New York City in winter 2007.
Production runs about 75 minutes with no intermission and is suitable for ages 10 and up. (Gun fired in MacBeth. Mature themes as in source materials). Post show discussion follows each Thursday & Sunday show with paid ticket.