Science and Religion Collide in Controversial Drama Agnes of God
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The last date listed for Agnes of God was Saturday April 16, 2011 / 8:00pm.
Currently at Greenhouse Theater Center:
- Full Price:
- $29.00 - $39.00
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Hank Williams: Lost Highway made such a splash last year at Greenhouse Theater Center that American Blues Theater's reviving it for 2014. Blues and Southern rock collide in this song-filled smash that follows legendary country singer-songwriter Hank Williams on his lonesome journey from backwoods Alabama to superstardom at the Grand Ole Opry. This unforgettable show, which was an off-Broadway hit nominated for three Outer Critics Circle Awards, features over 20 Williams hits, including "I'm So Lonesome I Could Cry," "Move It on Over," "Jambalaya" and "Hey, Good Lookin'." Charting the rise and fall of the country music icon through song, Hank Williams: Lost Highway highlights Williams' undeniable musical talent and songwriting abilities, and explores the alcohol and drug problems that ultimately got the better of him. This remount of the popular production features a talented cast of performers who have performed on Broadway and beyond. Learn More
Reviews & Ratings
Featured review from Goldstar Member
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Very well done. The interplay between religion and atheist was brilliant - as it showed the pros and cons between both. And it left the audience member ping pong back and forth on which to support. One area that was a little too intense was the loud volume of actors voices - perhaps I'm too sensitive, but I thought they could have toned it down a bit (i.e., less dramatic). Recommend watching.
Quotes & Highlights
_Agnes of God _was adapted into a film in 1985, starring Jane Fonda, Anne Bancroft and Meg Tilly. The stage play contains more dialogue than the film and is restricted to the three main characters. It is considered a demanding play for actors, due to the range of emotions displayed and the fact that the three actors carry the entire drama.
By John Peilmeier
Directed by Jacob Christopher Green
Summoned to a convent, Dr. Martha Livingstone, a court-appointed psychiatrist, is chared with assessing the sanity of a young novitiate accused of murdering her newborn. Miriam Ruth, the Mother Superior, determinedly keeps young Agnes from the doctor, arousing Livingstone’s suspicions further. Who killed the infant and who fathered the tiny victim? Livingstone’s questions force all three women to re-examine the meaning of faith and the power of love, leading to a dramatic, compelling climax. A hit on Broadway and later on film.