Venue Details

146 Star Starred
Auditorium Theatre
50 E. Congress Parkway Chicago, IL 60605
Venue website Get directions

Member Tips

Joan Pantsios
Dress up, dress down, just be neat and clean.
info May 19 2011 star this tip starred
Joan Pantsios
Try the Artists' Café around the corner on S. Michigan
info May 19 2011 star this tip starred
Joan Pantsios
There is inexpensive parking in a couple of lots on S. Wabash, between Van Buren and Congress
info May 19 2011 star this tip starred
Joan Pantsios
Venue elevator goes to the 6th floor only, so if stairs are an issue, be warned.
info May 19 2011 star this tip starred
Goldstar Member
There's a Dairy Queen across from the theater for a quick bite.
info May 19 2011 star this tip starred
Goldstar Member
Parking was reasonable. We paid $18 for self parking at the lot next to Columbia College's building.
info May 19 2011 star this tip starred
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Reviews & Ratings

57 ratings
4.8 average rating
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1 events
1 review
0 stars
68 events
49 reviews
22 stars
58 events
28 reviews
111 stars
attended May 18 2011

AA can do no wrong. Their stay is always too short. Revelations, as always, brought the House down and rightly so. Strength, agility, grace, beauty of line, effortlessness of execution...technique, heart and art all in one fabulous package.

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More Information


Photo by Andrew Eccles. Linda Celeste Sims. Body art by Dante Baylor. 

May 18, 2011: Anointed, The Evolution of a Secured Feminine, The Hunt, (Film), Revelations

May 19, 2011: Night Creature, In/Side, Forgotten Time, (Film), Revelations

Anointed (2010) Former Ailey company member Christopher L. Huggins makes his first contribution to Alvin Ailey American Dance Theater’s repertory with a new creation using music by Moby and Sean Clements and celebrating the Company’s past, present and future.

The Evolution of a Secured Feminine (2007) The female soloist in Camille A. Brown’s witty portrait veers between uncertainty and carefree confidence to the music of Ella Fitzgerald, Betty Carter and Nancy Wilson. Using fast footwork and taut gestures, she explores the notions of femininity with humor, candor and impeccable timing. This is the first time the solo will be performed by anyone other than the choreographer.

Forgotten Time (1989) Judith Jamison’s quietly uplifting work, the haunting, otherworldly sounds of Le Mystere des Voix Bulgares channels 12 dancers on a journey through ancient rituals of love and tribal rites of passage. Moments of complex partnering, dramatic imagery and breathtaking stillness are part of a sophisticated choreographic structure that evokes deep emotions and echoes with universal significance.

The Hunt (2001) Artistic director designate Robert Battle’s athletic work for six men reveals the predatory side of human nature and the primitive thrill of the hunt. A thundering percussion soundtrack by Les Tambours du Bronx drives the explosive movement that runs the gamut from modern sports to the rituals of the gladiators. This is Mr. Battle’s sixth work for the Alvin Ailey American Dance Theater.

In/Side (2008) Choreographed by Robert Battle, the vivid emotions of Nina Simone’s “Wild is the Wind” play out in gripping male solo. Battle’s bold, unrestrained signature style is evinced in this visceral cry of pure physicality.

Night Creature (1974) is the definitive Ailey homage to the exuberance of Duke Ellington’s jazz. One of Ailey’s most classically choreographed ballets, it depicts a series of sexy nocturnal rituals that propel the movement toward a fast-paced, cathartic climax.

Revelations (1960) Alvin Ailey’s signature masterpiece, this enduring classic is a tribute to that heritage and to Ailey’s genius. Using African-American religious music-spirituals—this suite fervently explores the places of deepest grief and holiest joy in the soul.

Short film with historic performance interviews with Alvin Ailey and Judith Jamison, the film introduces all Revelations performances. Directed by Judy Kinberg, winner of 7 Emmy Awards