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Golda's Balcony: Broadway's Longest-Running One-Woman Play

Title: Golda's Balcony
Venue: Pegasus Players at O'Rourke Center (Chicago, IL)
Full Price: $15.00 - $25.00   Our Price: FREE - $12.50
Rating: 3.7 stars

Rated 3.7 by 94 members who went.

William Gibson's one-woman tour de force, Golda's Balcony, examines the history of Israel through the eyes of one of the 20th century's most remarkable world leaders, Golda Meir. The show was the longest-running one-woman show in Broadway history. Actress Janet Ulrich Brooks plays the title role; Pegasus Players' Artistic Director, Alex Levy, directs.

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The last event was Sunday, Jul. 13 2008 @ 3:00pm. (view all dates)

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Members Who Went Said:

4 Star Rating
Written on
May 16 2008

Lois R.

Lois R.

An excellent piece of theater. I would recommend this play to anyone. Actress did a superb job with an equally superbly written script. Don't miss it.

1 of 1 people found this review useful
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4 Star Rating
Written on
May 12 2008

Carla G.

Carla G.

Songboid

This is a powerful play and commentary on modern history and its impact on the MidEast today. It is also the story of a woman dedicated to a cause and the price she pays for that dedication. Janet Ulrich portrays Golda Meir with strength and heart. Brava!

Carla Gordon

1 of 1 people found this review useful
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4 Star Rating
Written on
Jul 29 2008

Anna

Anna

Janet did an amazing job. It felt like Golda Meir was telling the story herself.

0 of 0 people found this review useful
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More Details About This Event:

William Gibson’s one-woman tour de force, Golda's Balcony, examines the history of Israel through the eyes of one of the 20th century’s most remarkable world leaders, Golda Meir.  The show was the longest-running one-woman show in Broadway history.  Actress Janet Ulrich Brooks plays the title role; Pegasus Players' Artistic Director, Alex Levy, directs.

Alex Levy has been with Pegasus for over nine years. In that time he has directed several productions including Black Caesar, Still Life, The Upper Room (winner of the Joseph Jefferson Citation for “Best New Work”), Broadway Bound (Jeff nominated for four citations including “Best Production” and winner of the After Dark Award for “Best Ensemble”), The One-Eyed Man is King, Kid Kuisine, An Evening with the Living Dead, Waking Up, Portrait of an Exile, Insert Title Here and Free Will. He has also directed several of the Young Playwrights Festival touring productions. Since joining Pegasus, the theatre has won ten Joseph Jefferson Citations, seven After Dark Awards, and Pegasus became the first arts organization to win The Chicago Community Trust’s “James Brown IV” award (which included a $50,000 grant) and the City of Chicago’s “Human Relations Award.” Alex has led Pegasus on international tours in 20 and 2002 through the Middle East sponsored by The United States State Department. He was chosen to serve on the Theatre Communications Group’s Literary Manager’s advisory panel in New York and to serve as entertainment coordinator by the alderman for the “Uptown Unity Festival.” He has also worked with Smoke and Mirrors, Chicago Dramatists, Theatre Building Chicago, Oakton College, Loyola University, The Studio Theatre in Washington D.C. and Geva Theatre in Rochester, N.Y.

About Pegasus Players:

Pegasus believes in choosing challenging scripts because of their artistic and social worth; therefore, the theatre frequently produces works that others do not consider commercially viable. For example, because of their artistic excellence, Pegasus has produced many of Stephen Sondheim's musicals that were not initially successful on Broadway, such as Assassins, Merrily We Roll Along, Pacific Overtures, Anyone Can Whistle, The Frogs, Passion, and Company. Stephen Sondheim himself has recognized the company by becoming a financial as well as an artistic supporter.

The Chicago Tribune, Chicago Sun-Times, The Reader and other area papers have all noted that Pegasus consistently produces exceptional, important work.

The New York Times travel section in October 1997 listed Pegasus Players as one of two theatres not to be missed on any trip to Chicago.

Richard Christiansen of the Chicago Tribune has twice named Pegasus's Artistic Director Arlene Crewdson as one of the top 20 Chicago artists who made memorable contributions, once in 1988 and again in 1991, citing her as "one of the most creative and determined producers in Chicago."

About Pegasus Players at O'Rourke Center:

This 190-seat instrument proscenium stage is state-of-the-art. The brand-new seats are theatre-style and very comfortable. There are just two side aisles, so the views are excellent as well.