Monologist Mike Daisey in How Theatre Failed America
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The last date listed for Monologist Mike Daisey: How Theatre Failed America was Sunday May 2, 2010 / 7:00pm.
Currently at Victory Gardens Zacek McVay Theater:
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Appropriate deals with the hassles of inheritance as one family descends upon a crumbling Arkansan plantation to liquidate their dead patriarch's estate. The three adult children think they have problems as they argue over clutter, debt and their troubled family history. But, after a disturbing discovery among their father's possessions, a series of surprises and confrontations turns up the intensity at the already-uncomfortable reunion. Learn More
Reviews & Ratings
Featured review from Norman S.
view more less of this review
A very entertaining,wide ranging,hilarious,utterly
engaging monlogue of a long life(though he's only 35) in the theater and the intrigues and wrong priorities that plague it and its practitioners in 21st Century US. Daisey is not only a brilliant performer but one who has thought deeply about his craft,his fellow actors/Crew/administrators and the audience and seeks to move American theater to
save itself by going back to emphasizing art rather
than making real estate,blandly/mechanically filling subscription slots,pleasing various corporate entities and survival in the narrowest sense at the cost of making art. A must see and hear.Can't wait for
his other show this week,THE LAST CARGO CULT.
In How Theater Failed America directed by Jean-Michele Gregory, Daisey sinks his razor-sharp wit into a subject he knows well: the American theater, from the sublimely crass to the genuinely ugly. From gorgeous new theaters standing empty as cathedrals, to “successful” working actors traveling like migrant farmhands, to an arts culture unwilling to speak or listen to its own nation, Daisey takes stock of the dystopian state of theater in America: a shrinking world with smaller audiences every year. Fearlessly implicating himself and the system he works within, Daisey seeks answers to essential and dangerous questions about the art we’re making, the legacy we leave the future, and who it is we believe we’re speaking to.