Mamet Double Bill: Sexual Perversity in Chicago and Bobby Gould in Hell
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The last date listed for Sexual Perversity in Chicago and Bobby Gould in Hell was Sunday June 28, 2009 / 3:00pm.
Currently at Greenhouse Theater Center:
- Full Price:
- $19.00 - $49.00
- Our Price:
- $12.00 - $30.00
Hank Williams: Lost Highway made such a splash last year at Greenhouse Theater Center that American Blues Theater's reviving it for 2014. Blues and Southern rock collide in this song-filled smash that follows legendary country singer-songwriter Hank Williams on his lonesome journey from backwoods Alabama to superstardom at the Grand Ole Opry. This unforgettable show, which was an off-Broadway hit nominated for three Outer Critics Circle Awards, features over 20 Hank Williams hits including "I'm So Lonesome I Could Cry," "Move It on Over," "Jambalaya" and "Hey, Good Lookin'." Charting the rise and fall of the country music icon through song, Hank Williams: Lost Highway highlights Williams' undeniable musical talent and songwriting abilities, and explores the alcohol and drug problems that ultimately got the better of him. This remount of the popular production features a talented cast of performers who have performed on Broadway and beyond. Learn More
Reviews & Ratings
Featured review from LeeZeeRed Velvet
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Kudos to this company for bringing us early Mamet and an era difficult to recreate for its attitudes and inter-personal relationships. Three of the actors were eerily on the mark seemingly natural, unforced and unactorly in their portrayals. The key protaganist was way over the top as a character who would be still deep in the closet, physically. This is someone still in denial about his emotional/sexual proclivities all of which are made obvious through dialogue and so the portrayal required greater subtlety. I truly don't know whether to fault the directing or the acting. All this being said, I did enjoy, albeit with a bit of pain, the recreation of a time that I actually lived through. Good try!
Bobby Gould was fun and amusing. I sort of prefer my "Devil" to be more in the "Bedazzled" or "Devil's Advocate" vein, but he is a devious devil when you get right down to it and this is just as valid an approach as any. Good fight choreography.
Mamet’s wickedly funny comedy of manners comes home to the Organic, where it had its world premiere in 1974. Sexual Perversity follows a quartet of twenty-somethings as they trawl through the city’s nightlife searching for a connection in a world obsessed with image and identity. Finding poetry in everyday speech, Mamet explores the war between men and women with wicked humor and gleeful vulgarity in a play the New York Times calls “a vicious satire of a world run amok with permissiveness.”
On this outrageous double-bill, Mamet’s rarely seen Bobby Gould in Hell follows the conniving movie-mogul from Speed the Plow as he (quite literally) confronts his demons. Plucked out of bed and, still in his pajamas, plunked down in the Waiting Room of the Hereafter, Bobby takes forced march through his morally bankrupt past that creates a hilariously odd bond between Bobby and his fishing-loving Interrogator.