William Shakespeare's Othello from Chicago Shakespeare Theater
Chicago Shakespeare Theater - Courtyard Theater, On Navy Pier (800 E. Grand Avenue Chicago, IL 60611)
- Full Price:
- $44.00 - $70.00
- Our Price:
- $22.00 - $35.00*
* Additional fees apply.
All offers for William Shakespeare's Othello have expired.
The last date listed for William Shakespeare's Othello was Saturday April 5, 2008 / 8:00pm.
Currently at Chicago Shakespeare Theater - Courtyard Theater:
Tony-Winner, Star Wars Actor Ian McDiarmid in CST's Timon of Athens
- Full Price:
- $55.00 - $75.00
- Our Price:
- $27.50 - $37.50
Chicago Shakespeare Theatre presents the finale of its 25th anniversary season, Shakespeare's rarely produced Timon of Athens. Directed by CST Artistic Director, Barbara Gaines, this production is set in the world of high-risk futures trading, where Timon is king of the hill, until a reversal of fortune sends him into financial free fall and his formers friends become ruthless creditors. Timon is played by internationally-acclaimed actor Ian McDiarmid, who won the Tony Award for Best Performance by a Featured Actor in a Play for his performance as Teddy in Brian Friel's Faith Healer. He is perhaps most famous for his chilling performance as the Emperor in George Lucas's 1983 film Return of the Jedi, and later as Senator Palpatine in the Star Wars prequels. Learn More
25 Goldstar Member Reviews
The theatre is ideal for watching Shakespeare. The performance was wonderful. We had 4 seats with great views and even my two guests who are new to Shakepeare loved the experience. A must see!Written on Mar 24 2008
- 0
- 0
- 0
This is a particularly poor production of "Othello" for many reasons; the most primary of them being that the actor playing the title role makes little sense of the text. The gentleman to my right whispered to me during the show that the actor sounded like a combination of Sean Connery and Darth Vader. While there are any number of racial/cultural assumptions inherent in my co-audience member's observation, at least one half of his statement is unerringly accurate. The actor playing Othello sounds a lot like he's doing a bizarre impersonation of Mr. Connery. The gentleman to my right also went on to comment, "Don't get me wrong, he's [the actor playing "Othello"] very articulate," and he was. I understood every word that came out of this actor's mouth, but it was like hearing a string of well spoken words without the performing having married the words to meaning. It was more a recitation than, I suppose, what I've come to expect of the marriage between performance and text.Written on Mar 11 2008
I had other problems with the title actor as well. I didn't like the choices made regarding the physicality of the character. The choices made were obvious and riven with racial/mythological stereotypes that I didn't consider terribly subtle or nuanced. The actor transitions from an upright military gate to bearing a lumbering/ape-like swinging of the arms, a jutting forward/hanging of his head, and a heavy clomping of step. I don't think the choices made by the actor or the director exhibited much grace or subtlety at all.
This lack of subtlety is most evident in the performance of Iago. There is no rapport between the character and the audience. He doesn't try to win us [the audience] to his side. Hence, his performance holds less the joy of rhetoric and seduction to his side than it does a sense of a steamroller that will barrel on with or without the audience. I think the character Iago has many more dimensions than are exibited in this performance.
I might risk it to say that the actor playing Roderigo makes this entire performance worth seeing. My heart goes out to the character and believe everything that he does on stage. He is a wonderful actor.
There is nothing of an impetuous girl in this construction of Desdemona. There is no joy or glee or unbridled happiness in her character. There is no laughter. Thus, I could care less when she dies. My heart did not break. She seemed as resigned to her own murder when the play began as she did on the night the light was put out.
Parts of the set and costuming reflected (or were intended to evoke) something of the southern United States before 1863 (Civil War). The Duke of Venice was something of a southern "gentleman". I am not certain in which ways we [the audience] were intended to read this hinting of American Pre-Civil War-ness, but I am also not certain that the evocation of the American history of slavery does much more than cloud and confuse this straightforward play.
The actress who played Emilia didn't make very many interesting choices. She (like so many of the other actors in the play) began playing the ending of the play from there first moments on stage. This is only my opinion, but the tragedy of "Othello" is that everyone in it - except Iago - doesn't know that they are in a tragedy. Many characters, in fact, aught to be played as if they hold all of the joy and possibility of being in a comedy within them; thus, Iago's plot is all the more horrifying, unexpected and tragic.
In general, this production lacked much in the way of artistry or creativity. It tells the story of "Othello," but on many levels, emotive and artistic, there is little magic in the web of it.
- 3
- 0
- 0
The Othello production was first rate. I can't imagine a better theater experience, in Chicago or anywhere else.Written on Mar 17 2008
- 1
- 0
- 0
Very good. GREAT SEATS. We actually got better seats than originally described (5th row center vs. gallery), so this was an EXCELLENT deal!Written on Mar 12 2008
- 1
- 0
- 0
More Information About William Shakespeare's Othello
Description
<p>Marti Maraden, Artistic Director of the renowned Stratford Shakespeare Festival of Canada, stages Othello featuring leading classical actor Derrick Lee Weeden in the title role. </p>
About the Ticket Supplier: Chicago Shakespeare Theater
Chicago Shakespeare Theater offers a broad spectrum of theatrical experiences year-round, engaging and entertaining audiences from all walks of life and from around the world. The plays of William Shakespeare form the core of the company's work, complemented by other dramatic works -- from traditional classical theater to new classics that resonate with Shakespeare's timeless insights into the human condition. CST's World's Stage Series brings international theatrical productions to Chicago, presenting new cultural expressions and experiences. For family audiences, CST Family presents abridged Shakespeare productions and classic musicals for all ages.


