The Legendary Petula Clark Performs Her Greatest Hits
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The last date listed for Petula Clark in Concert was Sunday March 25, 2007 / 7:00pm.
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The funnest -- and most delicious -- party of the summer is just a short ferry ride away. The Governors Island Music & Seafood Beach Party is a celebration of warm-weather chillaxing in NYC. Headliners include tributes to three titans of summertime tunes: Sublime tribute Badfish, Bob Marley tribute CCB and Jimmy Buffet tribute Jimmy Kenny Band. Enjoy freshly prepared lobster rolls, oysters, shrimp cocktail and clams plus delicious craft beer while you grab some rays along the gorgeous sandy beach and take in Instagramable views of the East River, Manhattan and New Jersey. Set at the waterfront Governors Island Beach Club, this all-ages beach bash features performances by 10 bands on two stages -- along with the opportunity to dig into a tasty seafood platter (which can either be pre-purchased with your ticket or bought onsite while supplies last). Learn More
BergenPac is a huge barn of a theater. I really wish they would move people forward when good seats do not sell out. We saw Martin Short from the rear orchestra. There was a huge swath of seats in the front center orchestra sitting empty. Wouldn't Martin Short rather look out and see those seats full? Why not "upgrade" people and move them forward when they arrive at the theater? BergenPac never seems to have grasped this idea.Martin Short info • May 19 2014 star this tip starred
The most commercially successful female singer in British chart history, Petula Clark was born November 15, 1932 in Epsom, England. Trained to sing by her soprano mother, Clark embarked on a stage career at the age of seven; soon she was a fixture on British radio programs, and began hosting her own regular show Pet’s Parlour — a series spotlighting patriotic songs designed to boost the morale of wartime audiences — at the tender age of 11.
After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal for the General in 1944. By the dawn of the 1950s she was a superstar throughout the U.K., with a resume of close to two dozen films; 1954’s “The Little Shoemaker” was her first Top 20 single, while 1960’s “Sailor” was her first chart-topper. Still, Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961’s “Romeo,” she married and relocated to France, establishing a strong fan base there on the strength of hits including “Ya-Ya Twist,” “Chariot” and “Monsieur,” which spotlighted a new, more sophisticated pop sound anchored by her crystalline vocals.
Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning “Downtown,” the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits (most written and arranged by Tony Hatch) which also included 1965’s “I Know a Place” and 1966’s “I Couldn’t Live Without Your Love” and the number one smash “My Love.” At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with “This Is My Song,” taken from the film A Countess From Hong Kong. In addition to hosting her own BBC series, she also starred in the 1968 NBC television special Petula, which triggered controversy when sponsors requested that a segment with guest Harry Belafonte be cut in deference to Southern affiliates; ultimately, the show aired in its intended form.
As the 1960s drew to a close, Clark’s commercial stature slipped, although singles like “Don’t Sleep on the Subway,” “The Other Man’s Grass Is Always Greener” and “Kiss Me Goodbye” still charted on both sides of the Atlantic. In 1968 she revived her film career by starring in Finian’s Rainbow, followed a year later by Goodbye, Mr. Chips. In later years Clark focused primarily on international touring, headlining the 1981 London revival of Rodgers and Hammerstein’s The Sound of Music; after starring in the 1990 musical Someone Like You, which she also co-wrote, she made her Broadway debut in Blood Brothers in 1993. Additionally, in 1988, an acid-house remix of “Downtown” reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history. ~ Jason Ankeny, All Music Guide