Venue Details

79 Star Starred
Cahn Auditorium
600 Emerson Street Evanston, IL 60208
847-491-5080
Venue website Get directions
Goldstar Member
bring a snack for this long show...
Damn Yankees dining Jun 16 2014 star this tip starred
megabeachgirl
There are numerous places to park in Evanston. See below for additional information on parking. Free parking is available after 4 p.m. on weekdays, as well as all day on weekends, in the garage south of Pick-Staiger Concert Hall at 50 Arts Circle Drive. Free parking is also available in the university lot west of Lutkin Hall at 700 University Place, and on University Place. Limited street parking is available on Emerson Street. Paid parking is available in the Church Street self-park garage, located at the intersection of Church Street and Chicago Avenue.
Damn Yankees travel Jun 14 2014 star this tip starred
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Reviews & Ratings

14 ratings
4.8 average rating
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5 events
2 reviews
3 stars
attended Dec 28 2013

enjoyable musical. Very fast paced. All cast members were filled with energy. Songs were enjoyable.

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24 events
22 reviews
0 stars
attended Dec 27 2013

The show was very well done and a lot of fun. I thoroughly enjoyed it. Only one slight criticism: Colette Todd (Annie Oakley) sort of kept slipping in and out of her "country" accent and sounding like Ethel Merman sometimes and like a fine...continued

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14 events
5 reviews
13 stars
attended Dec 28 2013

Energetic and lively performance with great singing, acting and costumes. A fun holiday event.

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Member Photos
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More Information

Website

http://lightoperaworks.org/Annie.html

About the Ticket Supplier: Light Opera Works

Light Opera Works is a resident professional not-for-profit theater in Evanston, Illinois, founded in 1980. The company's mission is to produce music theater from a variety of world traditions. Works include American, British, Viennese and French operettas such as Sweethearts, H.M.S. Pinafore, The Pirates of Penzance, Die Fledermaus, The Merry Widow and Beautiful Helen of Troy (La Belle); classic American musical theater, such as Candide, Fiddler on the Roof and Camelot, and new works such as Ragtime, Soup du Jour and No Way to Treat a Lady. All productions are in English, with foreign works done in carefully edited modern translations. Maximum scholarship is employed to preserve the original vocal and orchestral material as well as the spirit of the original text whenever possible.