Rock & Roll Musical Bye Bye Birdie at Northwestern University
* Additional fees apply.
All offers for Bye Bye Birdie have expired.
The last date listed for Bye Bye Birdie was Sunday August 9, 2009 / 2:00pm.
Most Popular Theater Event Nearby:
- Full Price:
- $53.00 - $85.00
- Our Price:
- $49.00 - $69.00
Following an acclaimed sell-out tour of the United Kingdom, Cameron Mackintosh's spectacular new production of Andrew Lloyd Webber's phenomenal musical success is now embarking on a brand-new U.S. national tour. The soaring score features the memorable title tune, along with "Masquerade," "The Music of the Night" and "All I Ask of You." Hailed as "stunning, intense and spectacular" by the Sunday Express, this production features a brilliant new design by Paul Brown, costumes by Maria Björnson, new choreography by Scott Ambler and a new staging by director Laurence Connor. The production, overseen by Matthew Bourne and Cameron Mackintosh, boasts many exciting special effects, including the show's legendary chandelier. The Phantom of the Opera traces the tragic love triangle of a beautiful opera singer, her childhood love and the tortured masked genius who lives beneath the Paris Opera House. Learn More
Free parking is available in theinfo • Feb 23 2013 star this tip starred
Reviews & Ratings
Under the direction of Northwestern’s Music Theatre Program director and Joseph Jefferson Award-winning Dominic Missimi present Bye Bye Birdie.
Missimi is directing Bye Bye Birdie for the second time in his professional career. Bye Bye Birdie was the first musical he directed shortly after graduating from the University of Detroit in 1966. At the age of 22, he was paid $200 for an eight-week run at St. Mary’s High School in Royal Oak, Mich.
“Forty-three years later Birdie remains a timeless classic,” said Missimi. “Staging the show with a 28-member cast of charismatic Northwestern students who are very excited about sporting Pompadour hairdos, learning hip gyrations and wearing gold lamé suits recaptures the energy and naïveté of the era.”
In a world of soda fountains and “getting pinned,” Elvis and “The Ed Sullivan Show,” the events in Bye Bye Birdie turn a small town upside down when superstar Conrad Birdie arrives in Sweet Apple, Ohio, to give “one last kiss” before his induction into the U.S. Army.
With audience favorites from the original Broadway show, including “The Telephone Hour,” “Put On A Happy Face,” “A Lot Of Livin To Do,” “Shriner’s Ballet,” “Kids” and “Rosie,” this beloved American musical sends up 1950s culture and reminds parents that they will never understand their teenage children.
Michael Stewart, Lee Adams and Charles Strouse’s musical Bye Bye Birdie, originally starring Dick Van Dyke and Chita Rivera, took Broadway by storm in the early 1960s and has become an exhilarating mainstay of stages around the world.
The 1963 film version featured Van Dyke and Northwestern alumnus Paul Lynde recreating their original stage roles, with Janet Leigh, Maureen Stapleton, Northwestern alumna Ann-Margret and Bobby Rydell, completing the movie’s cast. Broadway previews of the Roundabout Theatre’s 2009 revival of Bye Bye Birdie will begin in New York this September and will star John Stamos, Gina Gershon, Bill Irwin and Nolan Gerard Funk.
Northwestern’s summer production is set in the late 1950s. An eight-member band on a catwalk high above the stage will provide live music. The stage will resemble a massive jungle gym set, colorfully decorated with boldly-patterned 1950s era fabrics.
Bye Bye Birdie will feature choreography by Rachel Rockwell, one of Chicago’s most popular directors and choreographers. Rockwell directed Drury Lane Oakbrook Terrace’s production of Miss Saigon and The Marriott Theatre in Lincolnshire’s production of High School Musical. She also directed and choreographed Marriott’s The 25th Annual Putnam County Spelling Bee.
Bye Bye Birdie is a light-hearted family show recommended for children aged eight and older and adults,” said Missimi. “It’s a chance to give your children and grandchildren a snapshot of life in the late 1950s: they will see a lot of ponytails, tennis shoes and teenagers (and even a few parents) chasing after their music idol.”