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Iolanthe: Light Opera Works Presents Gilbert and Sullivan's Operetta

Title: Iolanthe (website)
Venue: Cahn Auditorium (Evanston, IL)
Full Price: $65.00   Our Price: $32.50
Rating: 3.3 stars

Rated 3.3 by 3 members who went.

Light Opera Works presents Iolanthe, Gilbert and Sullivan's delightful operetta about a band of boisterous fairies who take on Britain's Parliament to ensure that love will conquer all. Often considered the duo's funniest work, Iolanthe possesses the blend of high spirits, catchy melodies, and rapid-fire patter that made Gilbert and Sullivan famous. Presented with a full 27-piece orchestra.

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The last event was Sunday, Aug. 24 2008 @ 2:00pm. (view all dates)

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Members Who Went Said:

3 Star Rating
Written on
Aug 25 2008

Michele Bresler

Michele Bresler

Evanstonian

Excellent production but a little hard to follow the Gilbert & Sullivan words. Great costumes and acting.

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3 Star Rating
Written on
Aug 25 2008

Deb Pekin

Deb Pekin

Light Opera Works always does a fine job. Great voices - funny funny stuff!

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4 Star Rating
Written on
Aug 22 2008

Nick

Nick

Marvelous.

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More Details About This Event:

It's a band of woodland fairies versus Britain's House of Lords...and the government is never the same! Justly hailed as the Gilbert & Sullivan connoisseur's favorite, this magical operetta mixes romance, satire and fantasy in a joyous romp that will charm you with its own special brand of mid-summer madness!

It's the funniest and most melodic of all the team's shows- and boasts their most fiendishly difficult show-stopping patter number, The Nightmare Song.

Iolanthe will be directed by Kurt Johns.  In 2007, he directed Berlin to Broadway with Kurt Weill for Light Opera Works.  Kurt directed the critically acclaimed Iron, Tale of the Allergist's Wife, and Vincent in Brixton (After Dark Award) and The Mistress Cycle at Apple Tree Theatre.  He directed The Water Coolers (Jeff nominated) at the Lakeshore Theatre.  Kurt appeared in the Broadway productions of Aspects of Love and Chess. He portrayed Enjolras in the First National Tour of Les Miserables and starred Off-Broadway in Sharon! directed by Geraldine Fitzgerald. At the Goodman Theatre, Kurt appeared in Sunday in the Park with George and She Always Said, Pablo. He played Hildy in Windy City (Jeff nominated), Baron Felix in Grand Hotel, Che in Evita and Harold Hill in The Music Man at the Marriott Theatre in Lincolnshire. Kurt received a Jeff Award for A Grand Night for Singing at the Drury Lane Theatre. 

Light Opera Works artistic director Rudy Hogenmiller will choreograph Iolanthe. Hogenmiller has directed and choreographed many productions for the company including Kiss Me Kate, South Pacific, The Mikado, The Merry Widow, and The Sound of Music. He has been recognized with six Joseph Jefferson Awards and 16 nominations for best direction and choreography in Chicago. Hogenmiller has been a member of the Society of Stage Directors and Choreographers for more than 25 years.

Light Opera Works Music Director Roger L. Bingaman will conduct the 27-piece orchestra.  Bingaman made his first appearance on the Light Opera Works podium in 1997, conducting The Merry Widow.  Since then he has conducted many Light Opera Works productions.  Bingaman has been director of the apprentice program and chorus master for the Sarasota Opera since 1998. 

Casting for Iolanthe includes Jessye Wright (Iolanthe), James Harms (Lord Chancellor), Alicia Berneche (Phyllis), Colm Fitzmaurice (Strephon), Veronica McHale (Queen of the Fairies), Frank DeVincentis (Private Willis), Alex Honzen (Lord Montararat), Bill Chamberlain (Lord Tolloller). 

About Light Opera Works:

Light Opera Works is a resident professional not-for-profit theater in Evanston, Illinois, founded in 1980. The company's mission is to produce music theater from a variety of world traditions. Works include American, British, Viennese and French operettas such as Sweethearts, H.M.S. Pinafore, The Pirates of Penzance, Die Fledermaus, The Merry Widow and Beautiful Helen of Troy (La Belle), classic American musical theater, such as Candide, Fiddler on the Roof and Camelot, and new works such as Ragtime, Soup du Jour and No Way to Treat a Lady.

All productions are in English, with foreign works done in carefully edited modern translations. Maximum scholarship is employed to preserve the original vocal and orchestral material as well as the spirit of the original text whenever possible.

Since its inaugural season in 1981, Light Opera Works continues to be a primary leader in the United States for the presentation of these historically important and theatrically delightful works of art, in productions similar in size and scope to the originals. In 1998, the company created the Second Stage to offer more intimate works of the repertoire.

Audiences have come to know that at Light Opera Works they will experience musical theater, which is often unavailable on the stages of commercial theaters and opera houses, in beautiful, colorful modern productions with professional artists and full orchestra.

The company has been noted repeatedly on "Ten Best" lists by Chicago media, received the 2002 Evanston Mayor's Award for the Arts, and was nominated for two 2002 Joseph Jefferson Awards for the original musical Soup du Jour, and for two Black Theater Alliance Awards for the 2003 production of Ragtime.

Copley News placed Ragtime on its "Top 15 shows of 2003" list. Gay Chicago Magazine awarded Fiddler on the Roof three prestigious "After Dark" Awards, including Outstanding Choreography, Outstanding Sound Design and Outstanding Performance for John Payonk in the lead role. The publication stated that Payonk's "towering performance as the put-upon Tevye was the show's foundation, and Jeanne Croft's poignant Golde as its emotional meat...this gorgeously sung marvel was an out and out triumph."

The Chicago Sun-Times named Candide as one of Chicago's 2004 memorable productions. Pioneer Press newspapers named Light Opera Works soprano Marie Svejda-Groh a top area leading lady for her performances in Sweethearts and No Way to Treat a Lady.

About Cahn Auditorium:

Cahn Auditorium (1940) is the largest performance space on campus, with more than 1,000 seats and an orchestra pit. One of the country's most famous college productions, the annual Waa-Mu Show (begun in 1929), is staged here, as are many other productions each year. The auditorium was named for civic leader Bertram Cahn, donor, trustee, alumnus (class of 1899), and chairman of the clothier B. Kuppenheimer and Company.