Venue Details

78 Star Starred
Cahn Auditorium
600 Emerson Street Evanston, IL 60208
847-491-5080
Venue website Get directions
Goldstar Member
bring a snack for this long show...
Damn Yankees dining Jun 16 2014 star this tip starred
megabeachgirl
There are numerous places to park in Evanston. See below for additional information on parking. Free parking is available after 4 p.m. on weekdays, as well as all day on weekends, in the garage south of Pick-Staiger Concert Hall at 50 Arts Circle Drive. Free parking is also available in the university lot west of Lutkin Hall at 700 University Place, and on University Place. Limited street parking is available on Emerson Street. Paid parking is available in the Church Street self-park garage, located at the intersection of Church Street and Chicago Avenue.
Damn Yankees travel Jun 14 2014 star this tip starred
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Reviews & Ratings

32 ratings
4.8 average rating
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22 events
21 reviews
0 stars
attended Aug 11 2012

I had the original-cast album for this show when it was new and played and enjoyed it many times, but I'd never seen a live performance. This performance was excellent and thoroughly enjoyable.
I have only one minor criticism: Colette Todd, as...continued

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20 events
13 reviews
6 stars
attended Aug 19 2012

Wonderful professional production! Great cast, sets, costumes and orchestra. If you have never seen Man of La Mancha, please go. If you have seen it, go again.

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15 events
12 reviews
12 stars
attended Aug 22 2012

never tire of listening to the music of Man of LaMancha

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More Information

Website

http://light-opera-works.org/LaMancha.html

Description

Written by Dale Wasserman

Music by Mitch Leigh

Lyrics by Joe Darion

Directed and choreographed by Rudy Hogenmiller

Conducted by Nyela Basney

About the Ticket Supplier: Light Opera Works

Light Opera Works is a resident professional not-for-profit theater in Evanston, Illinois, founded in 1980. The company's mission is to produce music theater from a variety of world traditions. Works include American, British, Viennese and French operettas such as Sweethearts, H.M.S. Pinafore, The Pirates of Penzance, Die Fledermaus, The Merry Widow and Beautiful Helen of Troy (La Belle); classic American musical theater, such as Candide, Fiddler on the Roof and Camelot, and new works such as Ragtime, Soup du Jour and No Way to Treat a Lady. All productions are in English, with foreign works done in carefully edited modern translations. Maximum scholarship is employed to preserve the original vocal and orchestral material as well as the spirit of the original text whenever possible.