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Goldstar Member Reviews

Graciela Patino

"Tree" is a well told story of truth, family, and acceptance. Most can relate to having an important piece of family history conspicuously missing or worse, altered, leaving a huge hole where the truth should be. "Tree" gives us all something to think about, and its talented ensemble cast draws the audience in slowly, revealing branch by interesting branch. Great venue, Great cast, go see it!

Written on Nov 30 2009

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• 2 Good To Know
• 3 I Like Your Writing
• 2 I Went And I Agree

Aimme McCauley

OK, I give up. I wrote a really nice review and it disappeared. It was good! Go see it!

Written on Nov 15 2009

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• 1 Good To Know
• 0 I Like Your Writing
• 0 I Went And I Agree

tonivb

Loved the venue, loved the play. The actors were riveting as the story unfolded, taking unexpected twists and turns. I highly recommend this show.

Written on Dec 14 2009

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• 0 Good To Know
• 0 I Like Your Writing
• 0 I Went And I Agree

Lula Goolsby

The first 5-10 minutes are slow and I thought it may not turn out to be very good, despite the magnificent set design and music. This is one production that increasingly draws you in and builds to a big cresendo, in a theatrical sense. This play was exceptional with an interesting story and exploration of racial heritage in America. All 4 of the actors are excellent in their roles with Jessie (the old woman) as the clear, over the rainbow, "star". She is hilarious!
I loved this play and will probably see it again before it ends in early Dec. Bravo to Ensemble Theater for an excellent production, scene design, music, and acting.

Written on Nov 09 2009

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• 3 Good To Know
• 2 I Like Your Writing
• 1 I Went And I Agree

More Information About Tree

Website

http://fordtheatres.com/en/events/details/id/60

Description

The World Premiere of Tree by Julie Hébert is presented by Ensemble Studio Theatre-LA at [Inside] the Ford, the first offering in a curated season of new works from three L.A.-based theater companies. Jessica Kubzansky directs Chuma Gault, Sloan Robinson, Tessa Thompson and Jacqueline Wright.

As America debates whether the election of Barack Obama has rendered our nation "post-racial," Hébert's provocative, poetic and powerfully moving new play asks: How can we move past racial differences and find a common language?

Hébert grew up in the deep South during the turbulence of integration and the official and unofficial repeal of Jim Crow laws. "I have a good friend, from a small town in south Louisiana near where I grew up. We share that culture and have much in common, but because she is African American her experience growing up was vastly different from mine. This play is an attempt to have a deep, true conversation between people who are linked in many ways, but separated by race."

Race relations is only one thematic layer in Hébert's intricate and highly theatrical new work. Eloquently melding realism and poetry, Tree is also a play about family and memory.

African American chef Leo Price (Chuma Gault) is living in Chicago caring for an aging mother with dementia (Sloan Robinson) and his college-age daughter, J.J. (Tessa Thompson) when white Gender Studies professor Didi Marcantel (Jacqueline Wright) barges into his life with a provocative cache of love letters she has discovered. From the addled memories of Jessalyn Price come contradictory stories of her dangerous interracial romance with Didi’s father.

Hébert was partially inspired by the 200-plus letters that her father wrote to her mother during the Korean War when he was only 19, and the idea that "your parent had a life before you that is unknown and very mysterious to a kid. Who was this boy who became my father?"

"The language is lyrical, rich and infused with the cadences of French Louisiana," notes Kubzansky. "Tree is about investigating the past and its impact on the future. It's about the sandwich generation - what happens when you end up taking care of other people's lives instead of your own? It's about discovering in the middle of your life that there’s another person on the planet who might just 'get' you enough to push you to face yourself."

Currently a co-Executive Producer for the CBS series Numb3rs, Julie Hébert’s career started in San Francisco with the Eureka Theater, the Magic Theater and Intersection for the Arts. She then went on to work throughout the country with the Los Angeles Theater Center, San Diego Rep, Steppenwolf, Provincetown Playhouse, Circle Rep, La MaMa and many others. She was an early member of the Bay Area Playwrights Festival and a long-time member of the Padua Hills Playwrights Festival. She also served as Artistic Director of Theater at the Contemporary Arts Center in New Orleans for four years. Her plays include: Touch the Water; Abe Lincoln's Dog; The Knee Desires the Dirt; Almost Asleep; True Beauties; St. Joan and the Dancing Sickness; In the Privacy of Strangers; and Ruby's Bucket of Blood, which she also adapted into a film for Showtime starring Angela Bassett. She has received grants from the NEA, TCG, AT&T New Plays, the Rockefeller Foundation and the California Arts Council for writing, directing and inter-disciplinary arts. Playwriting honors include the Pen Award for Drama; Susan Smith Blackburn Prize; first runner-up, the Bay Area Critics Circle Best Play; NAACP nomination; several Drama-Logue Awards; and a cover article in American Theater magazine. She served as a dramaturge for the 2005 O’Neill Playwrights Conference. Her plays are published by Dramatic Publishing, Plays in Process, and in the Best of the West anthology. She is an alumna of New Dramatists and Alternate ROOTS. Most recently, Julie has worked with Cornerstone Theater to create a play about the Los Angeles River and with Open Fist in their summer festival. Julie wrote the screenplays for Female Perversions (October Films), All-American Girl: The Mary Kay LeTourneau Story (USA), and Lying Awake (HBO) adapted from the novel by Mark Salzman. In 2002, Julie received a Peabody Award for In Their Own Words, a documentary film of interviews with survivors of the 9/11 attacks in New York.

Jessica Kubzansky is the co-Artistic Director of The Theatre @ Boston Court in Pasadena and an award-winning director working around the country at the Pasadena Playhouse, Geffen Playhouse, South Coast Rep, Portland Center Stage, Mark Taper Forum/Kirk Douglas New Works, Laguna Playhouse, Aurora, and American Stage Co. Recent productions include the critically acclaimed Hamlet with Leo Marks at Theater 150 and Theresa Rebeck's Mauritius at the Pasadena Playhouse. Kubzansky specializes in new work; recent world premieres include Gulls; Salamone/McIntyre's musical adaptation of The Seagull; Mickey Birnbaum's Bleed Rail; Carlos Murillo's Unfinished American Highwayscape #9 & 32; Jean-Claude van Itallie's Light; Cody Henderson's Cold/Tender (all at T@BC); Bob Clyman's Tranced (Laguna Playhouse); Bryan Davidson's War Music (Geffen Playhouse and LATC); Sheila Callaghan's Kate Crackernuts (24th St. Theatre); Julia Cho's BFE (Portland Center Stage JAW/WEST). Other recent work: Hare/Brecht's Mother Courage (T@BC); The Two Gentlemen of Verona (Illinois Shakespeare Festival); The Glass Menagerie; Toys in the Attic (The Colony Theatre); Measure for Measure (A Noise Within); Amy's View (International City Theatre); and many others. Kubzansky received the 2004 Los Angeles' Drama Critics' Circle's Margaret Harford Award for Sustained Excellence in Theater.  

Chuma Gault (Leo Price) previously appeared in Ensemble Studio Theatre-LA productions of Stage Directions (LA Weekly Award for Comedy Ensemble); Love Water; and The Last Seder. He was nominated for the LA Weekly Award for Best Actor in a Lead Role for Miss Julie (Fountain Theatre). Other work includes The Lion in Winter (Roundabout Theatre, NY); The Waverly Gallery (The Vineyard Playhouse, MA); Gunplay (The Actors' Gang, LA); and Jitney (Actor's Theater of Louisville).

Sloan Robinson (Jessalyn Price) received the 2001 NAACP Theatre Award for Best Female Lead for her portrayal of Dorothy Dandridge in the one woman tour de force Yesterday Came Too Soon…The Dorothy Dandridge Story by Jamal Williams. The production, co-produced by Ms. Robinson's company, Do It Yourself Productions, also received seven other nominations. She received the award again in 2004 for her autobiographical one woman play It's A Good Thing I Knew How To Dance, also co-produced by DIYP, as well as four other nominations for the production. Ms. Robinson's one woman play, Bananas! A Day In The Life Of Josephine Baker, garnered her a 2008 NAACP nomination as Best Female Lead, and the play won Best Music Director and Best Costumes.

Tessa Thompson's (J.J. Price) theater credits include Pyrenees (CTG at the Kirk Douglas); Romeo and Juliet: Antebellum New Orleans 1836; Summertime; Pera Palas (The Theater @Boston Court); Twelfth Night (A Noise Within); Indoor/Outdoor (The Colony); and Stupid Kids (Celebration Theater). TV credits include regular roles on the CW's Veronica Mars and Hidden Palms; recurring roles on this season of Heroes and Private Practice; and appearances on Life; Mental; Grey's Anatomy; and Cold Case. Ms. Thompson recently won a Grand Jury Prize for her work in the critically acclaimed independent feature Mississippi Damned. Upcoming films include Periphery; Exquisite Corpse; Red & Blue Marbles; and Everyday Black Man. She is a member of the esteemed classical company Antaeus and sings locally with the LA Ladies Choir.

Jacqueline Wright's (Didi Marcantel) theater roles include: Land Lady in Killers; Tommy in Eat Me (LA Weekly nomination); Richard in Richard III; Buddy in Buddy Buddette; Clytemnestra in Clyt at Home (LA Weekly Award); Emilia in And Still The Dogs (LA Weekly nomination); and covering the role of Catherine in By the Waters of Babylon at the Geffen Playhouse. Films credits: Burn After Reading; Enough; 10,000 Days; Wednesday Again; North Country; Walkout; Paul McCarthy's Caribbean Pirates; and Catherine Sullivan's Five Economies (Big Hunt/little hunt). As a playwright, Jacqueline's plays have been produced by The Echo Theatre Company, EST, Theatre of Note, Cal Arts, Occidental College, HBO, The Road and Circus Theatrics. Her production of Eat Me received six LA Weekly nominations including playwriting. Her production of Spider Bites had a beautifully executed run at Theatre of Note and her play Love Water recently premiered as an EST-LA/Open Fist co-production. Wright is a 2005 Jerome Fellowship alternate and a member of the Dog Ear writers' collective.

Scenic and Lighting Design for Tree are by Brian Sidney Bembridge; Original Music and Sound Design are by Bruno Louchouarn; Costume Design is by Leah Piehl; Production Stage Manager is Rebecca Cohn; Associate Producer is Rod Menzies; and Laura Jane Salvato and Isabel Storey produce for EST-LA.

About the Ticket Supplier: Ensemble Studio Theatre -- LA

Ensemble Studio Theatre - LA, one of LA's premier developmental theaters, is the West Coast branch of New York's renowned Ensemble Studio Theatre. Founded by Artistic Director Curt Dempster 30 years ago, Ensemble Studio Theatre provides a long-term artistic home to more than 450 member playwrights, actors, directors, and designers, among them winners of Academy, Emmy, Obie and Tony Awards and the Pulitzer Prize.

Our company has developed and launched some of the most accomplished voices in the American theater, including Christopher Durang, Richard Greenberg, David Mamet, Marsha Norman, Jose Rivera, Shel Silverstein, John Patrick Shanley, and Wendy Wasserstein.