Da Camera's In the Garden of Dreams: Piano, Vocals & Visuals
* Additional fees apply.
All offers for In the Garden of Dreams have expired.
The last date listed for In the Garden of Dreams was Saturday May 4, 2013 / 8:00pm.
Currently at Wortham Theater Center - Cullen Theater:
- Full Price:
- $23.00 - $58.00
- Our Price:
- $11.50 - $29.00
The San Francisco-based, internationally acclaimed Alonzo King LINES Ballet company fuses ancient stories and songs with contemporary ballet in its Houston debut performance, featuring the works Scheherazade and Resin. An innovative re-envisioning of the ancient collection of Persian, Sanskrit and Arabic stories that is One Thousand and One Nights, the company's exciting, immersive take on Scheherazade was originally commissioned to inaugurate the centenary of the legendary Ballets Russes de Monte Carlo. Resin moves from intimate duets to the flashing, barely visible footwork of a quartet of dancers as King explores the possibilities of the vast and diverse field of Sephardic music, utilizing rare archival field recordings and Judeo-Spanish songs by early-music artist Jordi Savall. Learn More
Quotes & Highlights
“[The Blue Rider is ] … a spellbinding program of music [and] projected images … the performance and the effect of simple geometric shapes were altogether stunning.” —_The Wall Street Journal _
Watch a preview video.
This new production explores the fantastic obsession with dreams and the unconscious in the music, visual art, psychology and theater of Vienna c.1900. Rothenberg collaborates once again with Marcus Doshi (set, lighting) and Sven Ortel (imagery, projections), following the critically acclaimed production of 2009, The Blue Rider.
Expanding on that experience and the language developed together, the creative team intertwines intimate solo piano and vocal works of Johannes Brahms and Arnold Schoenberg with light and projections on a set designed as both sculpture and surface. The script, sound collage and imagery draw on Freud’s The Interpretation of Dreams_, Strindberg’s A Dream Play_, Max Klinger’s _Brahms-Phantasie and the erotic paintings of Gustav Klimt.
In the Garden of Dreams_ moves from dawn (late19th century) to the dark of night (1910), from a protected Viennese interior to a decaying landscape where Schoenberg’s haunting monodrama, The Book of the Hanging Gardens, reaches its shattering conclusion as reality, dream, memory and hallucination merge in the mind of an obsessed lover.