FrenetiCore's Wired: Dance + Technology
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The last date listed for Wired: Dance + Techology was Friday April 4, 2014 / 8:00pm.
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This globe-trotting ensemble proves that praise knows no borders. With a history spanning more than 60 years, this Dakar, Senegal-based choir infuses American gospel spirituals with the styles and traditions of Pan-African music. The 15-member chorus and four traditional Senegalese drummers perform standards like "Amazing Grace" and "The Storm is Passing Over" while proving that praise is international by singing in each of their home country's four national languages. The choir, now led by music director Ambroise N'Diong, was founded in 1950 by UNESCO Ambassador Artist for Peace Julien Jouga as a means of creating harmony between Senegal's Muslim and Catholic cultures. Learn More
Reviews & Ratings
Featured review from Allison Bond
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the show was pretty odd and if you are not open to a modern artistic kind of performance than this probably is not for you. The first act was bizarre but hilarious and involved the audience through a facebook feed so it was kind of cool to actually encourage the audience to have cell phones out. The following performances by the dance group were OK and there were a couple of performances I liked. Overall it was an experience that was really different and will be fun to talk about with my friend who went with me.
Choreography by Rebecca French. Video and projection mapping by ears are good. Photography by Les Campbell. Technical direction by Edgar Guajardo.
Cast includes Danielle Artis, Madonna Bauch, Adam Castaneda, Dorianne Castillo, Rebecca French, Jaime Garcia, Lauren Hurstell, Taylor Martin and Mollie Miller.
With a contemporary approach into the world of circus arts and dance, Cirque La Vie takes the audience on a mysterious journey of the human body and strong apparatuses, where one cannot work without the other. Cirque La Vie unites artists on film, photography and stage.
‘there in the sunlight’
#FeedBackLoop for Bodies, Electronics and Voice is the embodiment of cause-and effect chain between artists Jeremiah DiMatteo and jhon r. stronks. Activated through real-time vocal and electronic music production, this chain forms a circuit in which information from each artist’s past or present influences the same phenomenon in the present or future. The continuous looping of feedback provides mechanisms for controlling the running, maintenance, and evolution of a work that reveals the common ground created in over lapping without the demand “sameness”.