Saint Joseph Ballet's Sweet Feet at The Barclay
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All offers for Saint Joseph Ballet: Sweet Feet have expired.
The last date listed for Saint Joseph Ballet: Sweet Feet was Thursday May 31, 2007 / 8:00pm.
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One of the leading chamber groups performing today, the Echo Award-winning Scharoun Ensemble Berlin features the Berlin Philharmonic Orchestra's principal string and woodwind musicians. For this concert, these profoundly talented musicians will perform pieces written by Mozart and Beethoven, putting Alexander Bader's clarinet work on display. Septet, Op. 20 is one of Beethoven's most popular works and one of the finest septets ever written. The Scharoun Ensemble will also perform Mozart's Quintet for Clarinet in Strings, one of the composer's most beautiful chamber pieces. Learn More
Reviews & Ratings
Swift, calm, great and small…oh so many feet set off in motion! Known for its pioneering spirit, Saint Joseph Ballet commissions renowned yet daring choreographers to create new and original work for a cast of 160 dancers and alumnae. Together they mix courage with skill revealing the inevitable beauty of being human.
Join Saint Joseph Ballet for its 24th annual concert at Irvine Barclay Theatre and revel in the generations that Saint Joseph Ballet moves forward.
Celebrating 25 years as a choreographer, Sally Silvers premieres Ruptable, her first work commissioned by Saint Joseph Ballet. In this piece, the performers navigate their quirky, off-kilter moves with tenderness, intensity, and humor to help all of us question: what is normal, what is out of control, what is worth holding onto? By excavating the twists and tensions of personal and cultural discovery, Ruptable stages their interruptions, eruptions, corruptions, ruptures. Or lets them loose.
Living with Murky was sparked by Rios Glaser’s current interest in being comfortable in states of fluidity—where complexity, unanswered questions and subtexts, can exist without resolve. A collaboration with lighting designer Ben Tusher, this piece includes a cast of 60 dancers who span in age from 10-32. From this open and sometimes muddled place the insight on the exquisite necessity for difference becomes apparent.
Nami Yamamoto returns with a re-staging of a howling flower bloomed in my eye. Moving, searching and relentless, this piece is a poignant study in determination and constancy. Yamamoto offers us the rare chance to admire these young dancers as they deliver a performance requiring the maturity of an ancient soul.