Sunday in the Park with George, Sondheim's Pulitzer Prize-Winning Musical
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All offers for Sunday in the Park with George have expired.
The last date listed for Sunday in the Park with George was Thursday March 15, 2007 / 8:00pm.
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Each year, the New Choreographers Initiative holds an intensive three-week process to create fresh, cutting edge new dances. NCI Discovery 2014 will showcase four new ballets created through this program. Artistic Director Molly Lynch invited four choreographers of note, as well as sixteen professional dancers from ballet companies across the country, to participate. This evening will debut the results to the public. This year's choreographers are Barry Kerollis, Gabrielle Lamb, Philip Neal and Garrett Smith. The evening also offers an opportunity to hear the choreographers talk about their concepts and ideas, and for the audience to participate in the discussion. Learn More
Reviews & Ratings
Featured review from John B.Red Velvet
view more less of this review
Wonderful, as good as any professional production I have seen.
I wish they would have had the performers Bios in the program. What was given did a disservice to the performers and though artsy or fanciful did little for me as a person interested in the careers of up and coming actors.
This innovative musical by Stephen Sondheim (music and lyrics) and James Lapine’s (book) won the 1995 Pulitzer Prize for drama and ten Tony nominations. The original Broadway production starred Mandy Patinkin and Bernadette Peters.
The first act shows the life of George Seurat as he’s painting what is considered by many to be his masterpiece, “Sunday Afternoon on the Island of La Grande Jatte.” His obsession with painting emotionally divorces him from the people around him (most notably his lover, the aptly named “Dot”). As George gathers sketches and works on the painting, Dot—who is pregnant with his child—finally leaves him for a more stable, but emotionally unfulfilling lover, a baker named Louis. George regrets his loss, though he continues with his painting.
In the second act, the play moves into the 20th century, as another George (a fictional great-grandson of Seurat) presents his own art: a machine that projects light, sound, and pictures. The machine is titled “Chromolume #7” (the actual Seurat referred to his art style as “Chromolumism” rather than “Pointillism”), and is presented as part of a retrospective of Seurat. Like the George of the first act, this George is also a struggling artist who has difficulty maintaining human connections. The show ultimately leads to a powerful conclusion.
This production is presented by UCI Claire Trevor School of the Arts.