Sunday in the Park with George, Sondheim's Pulitzer Prize-Winning Musical
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The last date listed for Sunday in the Park with George was Thursday March 15, 2007 / 8:00pm.
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With famous characters, brilliant costumes and haunting music, Ragtime creates a dazzling diorama of turn-of-the-century New York, teeming with the raw energy of a still-young nation. Based on E.L. Doctorow's acclaimed novel, this melting pot drama is told from the perspective of three ethnically diverse families whose fates unexpectedly intertwine. Real-life figures like Harry Houdini, Booker T. Washington, Henry Ford and Emma Goldman make surprising and often illuminating cameo appearances throughout this "triumph for the stage" (Time magazine). With music and lyrics by the Tony Award-winning team of Stephen Flaherty and Lynn Ahrens, the production boasts a Tony Award-winning book by Terrence McNally and such memorable songs as "Getting Ready Rag," "Wheels of a Dream," "Till We Reach That Day" and "Make Them Hear You." Now 3-D Theatricals brings a new production to Plummer Auditorium. Learn More
Reviews & Ratings
Featured review from John B.Red Velvet
view more less of this review
Wonderful, as good as any professional production I have seen.
I wish they would have had the performers Bios in the program. What was given did a disservice to the performers and though artsy or fanciful did little for me as a person interested in the careers of up and coming actors.
This innovative musical by Stephen Sondheim (music and lyrics) and James Lapine’s (book) won the 1995 Pulitzer Prize for drama and ten Tony nominations. The original Broadway production starred Mandy Patinkin and Bernadette Peters.
The first act shows the life of George Seurat as he’s painting what is considered by many to be his masterpiece, “Sunday Afternoon on the Island of La Grande Jatte.” His obsession with painting emotionally divorces him from the people around him (most notably his lover, the aptly named “Dot”). As George gathers sketches and works on the painting, Dot—who is pregnant with his child—finally leaves him for a more stable, but emotionally unfulfilling lover, a baker named Louis. George regrets his loss, though he continues with his painting.
In the second act, the play moves into the 20th century, as another George (a fictional great-grandson of Seurat) presents his own art: a machine that projects light, sound, and pictures. The machine is titled “Chromolume #7” (the actual Seurat referred to his art style as “Chromolumism” rather than “Pointillism”), and is presented as part of a retrospective of Seurat. Like the George of the first act, this George is also a struggling artist who has difficulty maintaining human connections. The show ultimately leads to a powerful conclusion.
This production is presented by UCI Claire Trevor School of the Arts.