Dogugaeshi: Obie Award-Winning Puppeteer Basil Twist
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The last date listed for Dogugaeshi was Saturday June 13, 2009 / 9:00pm.
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One of the most beloved children's books of all time makes its way to the stage in the musical The Secret Garden. On a windswept moor in a lonely old house, a grieving widower and his sickly son spend their days lonely and lost, haunted by the ghosts of departed loved ones. Enter Mary, a sour young orphan who has lost her family to cholera and come to live with her uncle. She discovers a locked garden that's been left to grow wild and uncared for -- much like Mary herself. Her quest to find the key and restore the garden uncovers startling secrets and a family tragedy. With the help of her new friend Dickon and her cousin Colin, Mary brings new life to the garden and to her grief-stricken uncle. Presented by the award-winning California Youth Conservatory Theatre and directed by Shaun T. Evans, this magical musical is the perfect vehicle for CYC's cast of talented young actors and seasoned professionals. Enhanced by a beautiful and powerful score performed by a live orchestra, the musical version of this beloved story is a delight for audiences of all ages. Learn More
Reviews & Ratings
Featured review from Jennifer L.
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My first thoughts before the show were "this is going to be an interesting addition to the knowledge I already have on Japanese art and culture." My thoughts after the show (but before the Q&A, which I will explain later) were, "this was a complete bastardization of Japanese art."
Let me explain. I was very impressed by the visualization and the overall production of this show. It's beautifully crafted and clearly took a lot of people time and effort to put together; it was professionally done and its quality showed. The theme in it of itself was very Japanese (in that there was an abstract narrative), but there were clear Western influences throughout the show; mainly the use of contemporary video clips and other tidbits like music selection from Western countries. These additions were what made me feel like this was an inappropriate and somewhat disrespectful interpretation of Japanese art.
So, as the show ended and we applauded the puppeteers and everyone else who made this event possible, I was thinking that it was a mediocre show that was beautifully crafted, but overall lacking in its homage to the Japanese puppetry world. Then Basil Twist himself came out and had a Q&A session. His description and explanation of the research he did regarding Dogugaeshi (the art of sliding-screen puppetry) made me change my mind. He clearly explained his intended purpose for this piece of performance art, and readily admitted that he was not wholly following the traditional methods. He wanted to use this more as an expression of an artform that has basically died out in the modern world, and to demonstrate to the world that there was once this type of art, and now it has basically withered into nonexistence. From these points of view I came to appreciate what he had done for Japanese puppetry. Had I not stayed for the Q&A I think I would have been slightly disappointed overall.
The best part was that not only was there a Q&A section, but he allowed us to go backstage to see the entire setup for the show. He showed us all the screens he and his assistants made, how they made certain effects, and overall what it took to create the visually stunning show that we saw. It was clear that he and his team had spent at least a year creating this show to the form that we saw it. There were over 400 handpainted screens used, all of them were created from scratch, and all of them built in a much more mechanically-oriented way versus the typical Japanese method of show (screens would be used once then stacked, versus Basil's method of screens on wheels with push sticks on wheeled frames). I really appreciated seeing all this work up close and personal after the show and it made me respect him so much more as a puppeteer and artist. It made the show more meaningful to me and I no longer considered it a sacrilege.
So, overall, in the end, I loved this show. After hearing the explanation for everything, having the great personal experience with the artist and creator himself, and just in general having this seen this piece of blended cultures, I am considerably impressed and awed by its artistry. While not at all suitable for younger children and even lighthearted adult theater-going fans, it was definitely worth my time and money. I look forward to seeing more from the Edge series at UCSD and hope that they all continue to push the cultural boundaries as this one did.
<p>Dogugaeshi is an intimate work inspired by Japanese puppet theater created and performed by Obie Award-winning puppeteer Basil Twist. Visually and aurally stunning, this hour-long performance features Twist's signature puppetry, with video projection, and original live shamisen (Japanese traditional lute-like instrument) music.</p> <p>The dogugaeshi mechanism of sliding screens that create an unfolding of various images and landscapes was developed centuries ago as the climactic sequence in Japanese traditional puppet theater. Now only practiced in the region of Awaji in Japan, Basil Twist has recreated the intricate technique with his own interpretation, blending centuries of tradition with his own inimitable style. The result is a mesmerizing and powerful voyage through historical and contemporary Japan.</p>