Venue Details

294 Star Starred
Royce Hall at UCLA
340 Royce Drive Los Angeles, CA 90095
310-825-2101
Venue website Get directions
Gordon B.
Captive parking. $12.00. Considering most L.A. parking fees are pretty reasonable, even the Chandler Pavilion UCLA has a lot of nerve charging for that charge for parking off-hours in what is largely an empty lot.
Tune-In Festival L.A.: eighth blackbird travel Mar 31 2014 star this tip starred
Gordon B.
I wore Jeans and a Jacket. It was one of those audiences where it would be difficult to underdress..
Tune-In Festival L.A.: eighth blackbird dress Mar 31 2014 star this tip starred
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Reviews & Ratings

12 ratings
4.1 average rating
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51 events
19 reviews
19 stars
attended Apr 16 2011

Loved the originality. Topic was a little strange to me. Great dancers, music was very enjoyable as well.

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54 events
22 reviews
6 stars
attended Apr 15 2011

The dancers demonstrated a spectrum of quality, but on average they seemed mediocre- somewhat lacking in grace. The two-men-as-a-woman sequence was simple, but actually brilliantly fun. The seemingly anti-fascist anti-classism message was...continued

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39 events
10 reviews
44 stars
attended Apr 15 2011

A very unusual style with lots of energy. Dance like I've never seen before. I can't wait to see Barak's next show in the Fall.

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More Information

Website

http://www.uclalive.org/calendar/event_detail.asp?id=52

Quotes & Highlights

“[A] complex, engaging and inspiring creation” —Haaretz
“unique, refreshing and powerful” —Habama
“Bursting with energy and human passion.” —The Jerusalem Post

Description

American-born Barak Marshall—son of the great dancer, choreographer and musician Margalit Oved—has become one of Israeli dance’s most explosive artists. He served as the venerable Batsheva Dance Company’s first-ever house choreographer and has gone on to establish an impressive career on his own terms. Set to a score combining elements of Gypsy, Balkan, classical and rock music, Monger is bold, highly emotive physical-theater for 10 dancers. Originally commissioned by the Suzanne Dellal Centre for Dance and Theater in Tel Aviv, the piece explores themes of power, free will and survival instinct through the story of a group of servants trapped in the basement of their abusive mistress’ home.