Harold Pinter's Betrayal: A Bittersweet Love Triangle
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The last date listed for Betrayal was Sunday July 27, 2008 / 6:00pm.
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Hailed as "the best musical of this century" by Ben Brantley of The New York Times and "the funniest musical of all time" by Entertainment Weekly, The Book of Mormon won nine Tony Awards -- including Best Musical -- in its first year on Broadway. Now the national touring production is back at the Pantages for a second round of hilarity. Written by South Park creators Trey Parker and Matt Stone along with Robert Lopez, the Tony-winning co-creator of Avenue Q, this musical comedy is a show that The Daily Show's Jon Stewart has called "a crowning achievement. So good it makes me angry." Learn More
Reviews & Ratings
Featured review from Goldstar Member
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After a slow start (Pinter wrote it that way), in which we believe this is just another rehash of an ordinary, run-of-the-mill affair, in subsequent scenes we begin to understand the depth to which these characters have really f#^+ed over the people closest to them.
The character "Robert" gets all the good lines. The actor, who looks like my gym buddy... my distant gym buddy, as I, for one, am not having an affair, turns in a nuanced performance as a husband & best friend who's fully aware of the deception, yet says nothing, quietly using the information to further his own ends.
Quotes & Highlights
“an exquisite play, brilliantly simple and courageous.” —Newsweek
Betrayal play begins in the present, with the meeting of Emma and Jerry, whose adulterous affair of seven years ended two years earlier. Emma’s marriage to Robert, Jerry’s best friend, is now breaking up, and she needs someone to talk to. Their reminiscences reveal that Robert knew of their affair all along and, to Jerry’s dismay, regarded it with total nonchalance. Thereafter, in a series of contiguous scenes, the play moves backward in time, from the end of the Emma-Jerry affair to its beginning, throwing into relief the little lies and oblique remarks which, in this time reverse, reveal more than direct statements, or overt actions, ever could.
By Harold Pinter
Directed by Lee Eskey
Featuring Sophina Brown (“Shark,” Disney’s The Lion King, “Chappelle’s Show”), Henry Simmons (“NYPD Blue,” “Shark,” “Medea’s Family Reunion”), Rick D. Wasserman (“Swingtown,” Disney’s The Lion King, “24”) and Paul Haitkin (“House,” “Passions”)