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Lanford Wilson's Modern Classic Burn This at the Mark Taper Forum

Mark Taper Forum (135 North Grand Ave. Los Angeles, CA 90012)
Burnthis-032711-v1
Full Price:
$30.00 - $65.00
Our Price:
$20.00 - $32.50*
3.1 by 66 members
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Considered by many to be an American masterpiece, Pulitzer Prize-winning playwright Lanford Wilson's Burn This centers around the accidental death of a gay artist and how it impacts the lives of his surviving roommates. Their grieving is interrupted by the arrival of Pale, the dead man's madly passionate brother. This searing drama examines the pains of loss, love and the sacrifices made in the name of one's art.

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All offers for Burn This have expired.

The last date listed for Burn This was Sunday May 1, 2011 / 6:30pm (Closing Night).

Currently at Mark Taper Forum:

Losotros-051812

Los Otros: World-Premiere Musical Tells a Southern California Story

Full Price:
$35.00 - $45.00
Our Price:
$20.00 - $22.50

Center Theatre Group's innovative new chamber musical explores the Southern California experience over the course of several decades through the eyes of a Mexican-American man growing up in Carlsbad and a San Diego woman whose chance encounters with Mexican immigrants mark the moments that define her life. Directed by multiple Tony-nominee Graciela Daniele, Los Otros stars Tony-winner Michelle Pawk (Hollywood Arms, Hairspray, Cabaret) and Broadway veteran Julio Monge (Twelfth Night, The Capeman, Fosse). Another pair of acclaimed Tony nominees, Ellen Fitzhugh (Paper Moon, Grind) and Michael John LaChiusa (The Wild Party), crafted the book, lyrics and score, highlighted by its intimate song cycles. Learn More

135 North Grand Ave.
135 North Grand Ave.
Los Angeles, CA 90012
213-628-2772
9234442aboutctgtaper

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43 Goldstar Member Reviews

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Rating_2_0
Mercy, where to start.......

The Good: The Tech was amazing it really looked like a loft in NY. The skylight lightning was awesome and the set design was stunning. I would want to live on that set! On a technical aspect it was awesome.
The only thing that really saved the show was Brooks and the comedic timing, and Ken's grasp at Burton. And yes Ken is the Eye Candy

The Bad: The Blocking could have used work. the "fight" scene was painful to watch. And for goodness sakes wait for the laughs to end. The show had numerous one liners that you laughed out loud but, then the actors just rushed through the next line. And you hear only half a line of possible important dialogue.


The Ugly Truth: I hate to say it but Zabryna slowed the show, every minute was just forced, unconnected, unprepared scenes. The story hinged on her performance. The ensemble interaction hinged on her character. She constantly looked Lost emotionally delivering deep lines of dialogue.

The Bottom Line: Its was Mediocre, and i want my money back
Written on Apr 07 2011

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Rating_3_0
Some interesting work here. Unfortunately, there is no possible chance of believing that she would be attracted to Pale as they had less than zero chemistry. Not to mention the cheesiest fight scene since theater rose from the primordial ooze.
Written on Jun 06 2011

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I'm surprised by all of the negative comments.
To me, this was a good (but not great) night of theater. The set is a good copy of a NY loft, though the furniture seemed too expensive for these characters. My biggest overall problem was the pacing of the staging. The coke-fueled first act was great and flew by as it should. But the second act flew by as well - this is not a good thing. The second act, especially the final scene - needed much more time to breathe. The ending was extremely rushed and didn't feel like an "ending" at all. We needed time to watch these characters find their way toward one another. A few long silences would have gone a long way. Another big problem for me: I didn't buy that Anna wouldn't throw Pale out in the 2nd Act. This was due to the poorly staged of the fight. If Pale is getting the bejeezus kicked out of him, then of course Anna would toss Burton out for his brutality and give Pale a free pass. But the staging didn't work so the reaction seemed bizarre.

The performers were good. Zabryna Guevara was good as Anna. She was best at at conveying Anna's anger and confusion. I truly bought that she was attracted to Pale because of his resemblance to Robbie. I DO think they could have worked on the sexual chemistry, but I believed that she cared about Pale. I saw understudy Matthew Williamson as Pale and he was great in the first Act. He's a bruiser type but he used his size to frighten and disarm. The words and shifting emotions spilled out beautifully. This is a very difficult role (one that I have seen establish actors screw up) and he did a great job. Brooks Ashmanskas as Larry nearly stole the show. He wasn't a tortured lonely queen but a fierce wise-cracking loyal friend. I loved that his Larry truly was in mourning. It's easy to overplay for laughs. One quibble, Larry's break down with Burton was a little much. I expected anger through tears - at least as Ashmaskas played him. Finally, Ken Burnett was great as the soulless Burton. I think the production could have played up the sexual ambiguity. Burton isn't gay - but he is a narcissist Hollywood-type whore who needs to be wanted by everyone. Burnett was a little too nice - but I bought his choices.

I truly hope people give this production a chance. It's great to see a straight play that isn't star-driven.
Written on Apr 11 2011

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Rating_3_0
Started strong and then fizzled out.
Written on Apr 25 2011

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All 43 Reviews

More Information About Burn This

Website

http://www.centertheatregroup.org/tickets/productiondetail.aspx?id=...

Quotes & Highlights

  • Burn This cherishes every involuntary spark of feeling that suddenly lights up the darkness.” --New York Times

Description

Anna is a dancer-choreographer who has lost Robbie, her best friend and collaborator, in a tragic accident. Pale is Robbie’s brother, a powder-keg lost in his own way, who arrives at her doorstep in the middle of the night.   Pale is dangerous, sexy, raw and demanding, and he interrupts the course of Anna’s existence bringing major changes in her life.

This passionate modern classic, by Pulitzer Prize-winner Lanford Wilson (Talley’s Folly), features original music by Peter Golub, and is directed by Nicholas Martin (Dead End at the Ahmanson, The House of Blue Leaves at the Taper) and features Brooks Ashmanskas (Julie & Julia), Ken Barnett (Puccini for Beginners, The Producers), Zabryna Guevara (Marley & Me, All Good Things) and Adam Rothenberg (Mad Money, The Ex-List). B

urn This
, which had its world premiere in CTG/Mark Taper Forum’s 1986-87 season, moved to Broadway in 1987, and helped to ignite the careers of John Malkovich and Joan Allen. Newsweek said of the play, “[It] has a voracious vitality and an almost manic determination to drive right into the highest voltage that life can register.”