$10 will provide a family in need with a full Thanksgiving dinner.
Make a DonationRoyce Hall at UCLA (Los Angeles, CA)
Dubbed "The Maverick Organist" by The New York Times, Cameron Carpenter is known for his intensely personal, often flamboyant performances. His influences and repertoire span the full range of classical, jazz, and pop music as he plays classic tunes, original compositions, and wildly imaginative improvisations with flawless technique and a unique sense of style.
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The last date listed for Cameron Carpenter was Sunday October 26, 2008 / 7:00pm. (view all dates)
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The Los Angeles Chamber Orchestra finds inspiration in the burgeoning talent of two American artists. Four years ago, lyric coloratura Laura Claycomb wowed Los Angeles audiences as Zerbinetta in Ariadne auf Naxos. Now she brings her delicacy, refinement and theatricality to LACO in a program that culminates in her show-stopping interpretation of the Strauss aria. Learn More
Fabulous seats and an amazing performance!
Fantastic! Not your "ordinary" organ concert/recital.
Cameron Carpenter is an amazing organist. His feet literally fly along the pedals. It was a great experience and a wonderful venue.
Regarded as one of the nation's finest concert halls, Royce Hall was the original building on the UCLA campus, completed in 1929. Restored and remodeled after the 1994 earthquake, Royce Hall Auditorium is the primary home of the nation's leading performing arts presenter.
Dubbed “The Maverick Organist” by The New York Times, Cameron Carpenter is known for his intensely personal, often flamboyant performances. A child prodigy, Carpenter performed as a boy soprano in venues such as Carnegie Hall and the Kennedy Center and with pop star Joe Jackson on his 1994 album Night Music. His organ technique is widely regarded as unmatched, and his readings of Chopin’s Ètudes, Op. 10 question the limits of organ technique, particularly when he plays Chopin’s relentless chromatic runs only by his feet. Cameron’s repertoire spans the organ and piano literature, featuring original compositions, film scores (especially from Japanese animé), and improvisations influenced by folk songs, jazz, disco and pop. From his use of color, to the concert clothes and organ shoes he designs (prompting Women’s Wear Daily to nickname him the “organist/runway model”), his approach to the organ can only be described as iconoclastic.
Active, intrepid and ever-evolving, UCLA Live is powered by the energy, attitude and imagination of today's most extraordinary artists. Perched on the Western edge of North America in Los Angeles, a city where an exciting new modernity is being forged, UCLA Live is one of the most unique and significant presenters and producers of performing arts in the country. At the vanguard of dance, music, spoken word, and experimental theater, the program is unrivaled in its breadth and uncommon mix of genresâe"presenting a kaleidoscope of more than 200 performances each year to more than 150,000 audience members. UCLA Live's programs occur in a number of venues on UCLA's campus and beyond, including the historic Royce Hall, renowned for its acoustic excellence and tremendous sightlines. Like the city that feeds it, UCLA Live promotes an aesthetic of fusion and diversityâe"in which concert hall divas, world-class chamber orchestras and hip-hop dancers share the seasonâe"and sometimes the stageâe"with post-modern dancers, world music superstars, contemporary storytellers, and rock 'n' roll mavericks. The local and the global, the ancient and the modern form symbiotic relationships, in which the inner-city infuses Western European traditions with modern soul; and the spirit of the avant-garde radiates from dark stages to the serpentine freeways, suburban byways, and breezy waters of the Pacific. An incubator of new ideas, UCLA Live is dedicated to radical, genre-bending collaborations and the development of new work. At the crux of this mission is the annual Artist in Residence initiative, featuring internationally-acclaimed artists whose works are characterized by an unrelenting curiosity and dazzling originality. Inaugurated in 2001 by pop music icon Elvis Costello, followed by the virtuosic Kronos Quartet in the 2002-03 season, and the wildly eclectic producer Hal Willner in 2003-04, this yearlong program deepens UCLA Live's commitment to the creative process by nurturing the development of new works and collaborative endeavors. A presenter of the same stature as Brooklyn Academy of Music and Lincoln Center, and the country's largest and most outstanding university-based performing arts presenter, UCLA Live has commissioned major works by Laurie Anderson, Pina Bausch, Philip Glass, Bill T. Jones, Kronos Quartet, Miami City Ballet, and Robert Wilson, among many others.