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The Freud Playhouse is a 556-seat theater located in McGowan Hall adjacent to the main courtyard, on the campus of UCLA.
UCLA Freud Playhouse (Los Angeles, CA)
The Actors Hall of Fame Foundation presents the Los Angeles premiere of Charles S. Dutton's one-man show From Jail to Yale... Serving Time on Stage. Dutton, best known as the star of TV's Roc will tell the remarkable story of how he rose from life as a convict to award-winning success on Broadway and in Hollywood.
Event summary prepared by the Goldstar Editorial Team.
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The last event was Tuesday October 7, 2008 / 8:00pm. (view all dates)
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Charles Dutton is, without question, one of the greatest actors I have ever seen. For two hours he held the audience captive with his incredible life story and excerpts from the plays of August Wilson.
If this one man show ever plays here again. DON'T MISS IT!!!!!


Charles Dutton’s one-man autobiographical show was billed as 90 minutes without intermission, but ran somewhere around two hours and started 20 minutes late. It could sort of be broken down into three parts:
Part I was an autobiographical tale of his miscreant youth, replete with murder and armed robbery convictions, and was captivating. Part II was the first half-hour of blackout excerpts from his previous laudatory theatrical roles, specifically his debut renditions of August Wilson plays; this was still entertaining, but without the broader context of the original plays I was lost as to who his characters were and to whom they were speaking.
Part III was another hour’s continuation of dramatic excerpts, except these were all critical of white folk. I mean ALL, and I mean HIGHLY critical. White folk “don’t give a damn who or what we is!” White folk raped his mama, then lynched his papa and set him on fire. White folk stopped a pastor walking on the railroad tracks, pulled a gun and barked, “Now DANCE for us, nigger!!” I assume use of the N-word is okay here, since Dutton used it about 200 times last night.
I left early, in the fourth wave of “white folks’” exit during one of the frequent blackouts. How much longer Roc spent dramatizing his and Wilson’s racism I couldn’t say.
In the autobiographical section Dutton admits believing all his incarcerations were whitey’s fault. In spite of a white warden allowing his prison drama club (even after he’d violently assaulted a guard), a white dean admitting him to college over another previously-admitted matriculant, and a white Yale drama department granting him the keys to their kingdom, it seems to me that even today Charles Dutton’s heart is still in prison.

This was a very intimate, up close and personal event which was informative, personal and riveting throughout the whole evening. I was just mesmerized with Charles Dutton's honest and forthright deliverance while sharing some of the most intimate events in his life. I noticed that this was only for one evening, but it should be ongoing. It was a powerful message that was delivered and I feel so blessed to have had the opportunity to be a participant. The seats were fabulous, as always (third row/center) and it felt like being at home with a friend and sharing some positive information and exchanges that were priceless.

FOUR STARS

The first part of the program was an insightful account of Rocks personal life as a wayward youngster and rebellious young adult which led him to many years in prison. While incarcerated, the seemingly simple impetus of reading a book on Black theatre spurned him to become determined and destined to the world of theatre. After graduating college and attending Yale on scholarship, he was Broadway bound. The second part of the program were various snipets from a few of the works of August Wilson who Charles worked with early on in his young career.

The event was excellent. He is very talented.

WOW!! I was blown-away by his presentation, emotion and great ability to portray soooo many personalities. This play/dialogue was extroadinary. I had no idea that Charles was such a great and mesmerizing individual. Charles was off the chart with much humor and back-in-the day drall. I loved it!!! What an experience. Thank You Charles for your work and stamina. :-)

powerful, touching, a tour d'force, completely captivating.

Charles Dutton is a wonderful actor. It was a great evening!

He is very powerful actor. It was a bit long without an intermission, but well worth it.

Mr. Dutton is one of the most charastmatic people I have seen on stage. I felt completely at home at the theater. His opening moments before the scene/monolgue work was stupendous. Just wondering how did he pay for Yale? I had the pleasure of seeing him on Broadway in Seven guitars. Amazing artist... can't wait to see more of his work.

WOW! The play was absolutely wonderful. I loved it. Mr. Dutton's performance contributed to me, both laughing and crying.

A fantastic evening of entertainment.

"Pure talent unfolded" is the best description of the evening. His fascinating characterizations of different roles were multi layered. However it was the story of his life which mesmerized me the most. You could have heard a pin drop.

He's a very good, skilled and passionate actor. He surely commands the stage. His life's story is both compelling and inspiring.
The part that I did not like was at the end of the play where he cursed GOD multiple times using explicit language. It was truly appalling-- so much so that I had to leave the theater at that point. As did other patrons.

Charles S. Dutton is a tremendous actor with lots of passion behind
his craft, however, the show went way too long. The credits indicated
a 90 minute show with no intermission. The show went well over 2 hours.
Many people began leaving the auditorium either to excuse themselves
to the restroom or go home. He should curtail his skits to a few minutes. Great seats (2nd row, left side).

Roc was simply sensational!

I was just getting ready to write you about what a gret time I had!! Did I mention I was in the 2nd row?!! Not only did I see a outstanding performance I met some great Goldstar Members!

The event was a little long but well worth it. What a great inspirational story and a tremendous actor.

I loved the show, but I was a little disappointed that it went well beyond the 90-minutes it was supposed to be, especially since there was no intermission.
"From Jail to Yale, Serving Time on Stage" is a dramatization of the true story of award winning actor, director and humanitarian Charles S. "Roc" Dutton. It is an inspirational and positive account about how he found his "moment of truth" in prison, and went on to earn his college degree, graduate from the prestigious Yale School of Drama, and earn world wide acclaim on Broadway, on television and in movies.
A graduate of The Yale School of Drama, Charles S. Dutton has a career spanning theater, television and film, and is one of the few actors to earn Tony, Emmy and Golden Globe nominations for the same role. He created the lead roles in three of August Wilson's early plays: "Ma Rainey's Black Bottom", "Joe Turners' Come and Gone", and "The Piano Lesson". He received multiple award nominations, including the Tony for Best Actor for "Ma Rainey's Black Bottom" and "The Piano Lesson". He was also nominated for an Emmy Award and a Golden Globe Award for The Hallmark Hall of Fame presentation of "The Piano Lesson".
Charles starred in and executive produced the Fox comedy/drama "Roc", produced by HIP, for which he received several NAACP Image Award nominations. He has numerous television credits, including the miniseries "The Murder of Mary Phagan", "The 60's", "Deadlock", and "Aftershock". His episodic appearances include "House", "The Sopranos" and the HBO series "Oz", among others. He won Emmys for his guest starring roles in "Without a Trace" and "The Practice".
He is a veteran of numerous feature films such as "Q & A", "Aliens 3", "Menace II Society", "Rudy", "A Low Down Dirty Shame", "Cry", "The Beloved Country", "Nick of Time", "A Time to Kill", "Get on the Bus", "Cookie's Fortune" (for which he received an Independent Spirit Award nomination), "Gothika", "Secret Window" and the John Sayles film "Honeydripper". He most recently completed the Universal feature "The Express", releasing nationally on October 10th, and the upcoming the Screen Gems feature "Legion" with Paul Bettany and Dennis Quaid.
He made his directorial debut in 1997 with the HBO movie "First Time Felon". He also directed the award winning HBO miniseries "The Corner", for which he received a 2001 Best Director Emmy. His feature film directorial debut was the 2004 Paramount film "Against the Ropes". In 2006 he directed multiple episodes of the Showtime series "Sleeper Cell", for which he received a DGA Award nomination. Most recently he directed the the Lifetime movie "Racing For Time", and the pilot "Under" for A&E.
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