Fountain Theatre (Los Angeles, CA)
James Watson and Francis Crick received the Nobel Prize for their work modeling the DNA molecule. But did they steal data from a female colleague and claim credit for themselves? Based on a true story, the provocative Photograph 51 explores sexism, ethics, and scientific collaboration by recounting how passionate biophysicist Rosalind Franklin provided the key breakthrough leading to the DNA discovery.
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The last date listed for Photograph 51 was Friday May 29, 2009 / 8:00pm. (view all dates)
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My wife and I very much enjoyed this performance. It was our first time to the Fountain Theater and we will definitely return.
I gathered a group of 10 to attend, and everyone was blown away by this rare, powerful and engaging evening of theatre -- built on scientific research and intellectual exploration, with characters who simmer with emotional electricity. The entire cast was superb -- the script is strong and crisp -- the direction and staging are perfect. This was my second time to see the show. It is so successful, the run has been extended thru May. FIVE STARS!!!
The female lead who played Rosalind, the brilliant scientist, was excellent and believable but her fellow actors were weak. The writing was also not up to par. However, I very much enjoyed the story.
A very important play about the role of gender discrimination in the most celebrated scientific discovery of the 20th century. Brilliantly cast and produced. It illustrates the ambiguities and personalities that are as much a part of science as the discoveries and headlines. Every scientist or aspiring scientist should see it.
In a word, SUPERB. This describes the acting, the script, the direction and everything about this production. I had always been intrigued as to the story behind Rosalind Franklin's quest for the discovery of the double helix, and this play nails it. To anyone who regards science as "boring", as I heard someone in the audience say before the performance, this play will change your perspective. I highly recommend PHOTOGRAPH 51.
Simple but effective set. The play reminds us that science is performed by humans, with all their brilliance and flaws.
A very interesting view and presentation of DNA structure discovery. Play captured audience attention from the beginning until the end. Excellent script, good acting, good stage presentation and the theater itself made it a very interesting experience.
A really incredible performance. Highly informative, yet highly emotional and touching. The acting was top-notch, leaving the audience captivated. My only disappointment is that it's no longer running.
Another great production at the Fountain Theatre.
An interesting story based on true events which will keep your attention from the first scene.
Well produced and acted and certainly worth a viewing!
The biographical story of Dr. Rosalind Franklin was interesting ,the acting excellent, and the play held my attention throughout. Some foreshadowing, both tragic and poetic, added to the creativity and meaning of the work as a whole. i attended the play with both men and women friends who liked it; so it is not only for a female audience.
It was an excellent performance. The lead woman was exceptional.
Already familiar with the story behind photograph 51, I decided to take the girlfriend. It was fantastic. The cast did a wonderful presentation. Calling Fountain theater however, would have have saved the service charge imposed by Goldstar. And I thought I was always getting the best deal off of this website. And now you know.
This show was extraordinary. The play, the acting, the staging...spectacular! I took my two teenage sons and all of us were in agreement that it was riveting!! It's about an hour and a half, no intermission. The entire audience was intensely focused every minute of the show and erupted in extended applause, shouts, etc. when it was over. There was a gentleman in front of me who said he's been going to shows in NY and L.A. since 1962 and this show was one of the best he's EVER seen. We went on a Sunday so there was free parking on side streets. I HIGHLY recommend it for anyone over age 12 or so. What a treat.
great work by a great cast and crew!
The actors were amazing and the plot very interesting.
Well-acted and -staged in an intimate theater with extremely friendly staff, from the parking attendant through to the usher. The play was compelling and you hardly felt the 90 minutes go by. Most people probably don't know this aspect of the discovery of DNA.
Well written and acted performance. Interesting insight into the discovery of the importance of dna.
Great acting and good choice of roles.
It was really wonderful !
Superb acting - important story.
I have e- mailed many friends - " see this play " !
A+
I thought this was a very good production. The performances were first rate. There were discrepancies in the story from books and other productions on Rosalind Franklin that I've read and seen, but I thought this was an important piece. If you have a chance go.
First time at the Fountain Theatre, and am very impressed with the professionalism, excellent choice of material and overall strong production. In the first few lines I thought "oh great, Americans affecting British accents, we must be at 'the theatre'." But I was quickly won over by the perfect performance of (I believe) Graham Norris, who provided much of the comic relief, and a richly written and performed story. The performances were on average extremely strong. My only criticism is a general lack of warmth in the characters, specifically the main character who is completely unlikable. That un-likeability is an interesting choice. I suppose there is no need for every woman who is a victim of discrimination to be a sympathetic heroine. However when I attended the "talk back session" after a preview performance the lead actress described her character as 'warm and funny'. While her portrayal was neither, that choice did not detract from enjoyment of the story.
This is truly an excellent show and I strongly recommend it. The actors put an incredible amount of work into character research and mathematical accuracy. The production is appropriately simple and very well staged. In my experience, shows at small LA theatres can be a real crapshoot but this one is absolutely worth your time.
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The Fountain Theatre is a lovely, intimate, air-conditioned theater with 78 seats in four rows. It has won over 100 awards for theater excellence, including every major theater award in Los Angeles. "Broadway-caliber! Everything is first class at the Fountain," says the Los Angeles Times. Back Stage West says, "This theatre company is a precious jewel in the City of Angels' crown. One of the fi
Website: http://www.fountaintheatre.com/perform.html
By Anna Ziegler
Directed by Simon Levy
Starring Aria Alpert, Daniel Billet, Joe Delafield, Ian Gould, Graham Norris, Ross Hellwig, Kerby Joe Grubb
Who really discovered the secret of life? Rosalind Franklin was a brilliant and passionate young scientist whose groundbreaking study led to the historic discovery of DNA. But did her male colleagues steal her data and claim credit for themselves? Simon Levy directs the West Coast premiere of a moving and compelling drama about scientific intrigue and competition - and a woman's life in a man's world.
Based on a true story, Photograph 51 recounts how X-ray diffraction images created by English biophysicist Rosalind Franklin provided the critical breakthrough that James Watson and Francis Crick needed to develop their Nobel-prize-winning model of the DNA molecule in 1953. How much credit Franklin deserves for this discovery, and how the work of women scientists was treated, has roiled scientific circles ever since. Playwright Anna Ziegler introduces us to a combustible mix of characters: Franklin, Watson, Crick, and their colleagues Maurice Wilkins, Raymond Gosling and Don Caspar, to recreate the events leading up to one of the greatest discoveries of the 20th century. In the process, she raises provocative questions about sexism, scientific collaboration and ethical behavior.
"The success of Anna's play is that she makes science, and these scientists, so real and vibrant, wrapping it all in a tale of romance and intrigue," says Levy. "She's presented the story in a way that is beautiful, visceral and alive. As one character says, 'Time wraps around itself. It puts its tail in its mouth. Every version of every story exists at once. And they're all the truth.' I fell in love with those lines. They've guided my approach to the play."
Aria Alpert. (the daughter of music legend Herb Alpert and singer Lani Hall) stars as Franklin at The Fountain Theatre. Aria's theater credits include the title role in Nora at Century City Playhouse, Stella in Gross Points, opposite Alec Baldwin at Bay Street Theater in New York, and Viola in Twelfth Night at the Great Lakes Shakespeare Festival. Also in the cast are Daniel Billet as Maurice Wilkins; Ian Gould as James Watson; Kerby Joe Grubb as Francis Crick; Ross Hellwig as Don Caspar; Graham Norris as Ray Gosling; and the male alternate is Joe Delafield.
Set Design for Photograph 51 is by Travis Gale Lewis; Lighting Design is by Kathi O'Donohue; Costume Design is by Shon LeBlanc; Sound Design is by Peter Stenshoel; Prop Design is by Dean Cameron; Dialect Coach is JB Blanc; Production Stage Manager is Elna Kordijan; and Ben Bradley produces.
Photograph 51 was commissioned and produced by Active Cultures in University Park, Maryland in March 2008, and went on to win the 2008 STAGE (Scientists, Technologists and Artists Generating Exploration) International script competition for Best New Play, chosen by a panel of judges that included Pulitzer Prize and Tony Award winner David Auburn; Tony, Olivier, and Obie Award-winner John Guare; Nobel Laureate in physics and KBE Sir Anthony Leggett; Pulitzer Prize-winner playwright David Lindsay-Abaire; and Nobel Laureate in physics Dr. Douglas Osheroff. In January, 2009 Manhattan Theatre Club artistic director Lynne Meadow directed a workshop production at Ensemble Studio Theatre in New York as part of the EST/Sloan Project's First Light Festival, a program designed to stimulate artists to create credible and compelling work that explores the worlds of science and technology and challenges existing stereotypes of scientists and engineers in the popular imagination.
Anna Ziegler's other plays include Dov and Ali (Theatre 503, London, June-July 2008), BFF (W.E.T. at the DR2 Theatre, 2007), Novel (SPF, 2007), Life Science (Bulldog Theatrical, 2007), Variations on a Theme (workshopped in July 2008 by Chautauqua Theater Company, directed by Ethan McSweeny), In the Same Room, The Minotaur, To Be Fair, and Everything You Have. Ziegler's plays have been developed by the Sundance Theatre Lab, The Old Vic New Voices program, Primary Stages, The Geva Theatre Center, The McCarter Theatre, The Lark Play Development Center, Ars Nova, Theater J, New Georges (where she is an Affiliate Artist), Clubbed Thumb, The New Harmony Project, The hotINK Festival, Icicle Creek Theatre Festival, Catalyst Theater, The Playwrights' Center PlayLabs Festival, The Fireraisers Theatre Company at the Hampstead Theatre (London), The Birmingham Rep, and by Company B at the Belvoir St. Theatre (Sydney, Australia). She was a Dramatists Guild Fellow for 2004-2005, and a member of the 2005 Soho Rep Writer/Director Lab and the 2007-2008 Lark's Monthly Meetings of the Minds writers' group. She has been published in Ten-Minute Plays for 2 Actors: The Best of 2004 (Smith and Kraus, Inc.) and New American Short Plays 2005 (Backstage Books, ed. Craig Lucas). BFF and Life Science will be published by Dramatists Play Service, and BFF will be included in the anthology New Playwrights: The Best Plays of 2007 (Smith and Kraus). A graduate of Yale, she holds an MFA from NYU's Tisch School of the Arts. Anna Ziegler's poetry has appeared in The Best American Poetry 2003, The Threepenny Review, The Michigan Quarterly Review, Reactions, The Mississippi Review, Arts and Letters, Mid-American Review, Smartish Pace, The Saint Ann's Review, and many other journals.
Simon Levy's directing credits at the Fountain are numerous, including: The Milk Train Doesn't Stop Here Anymore; The Gimmick, starring Dael Orlandersmith (winner, 2007 L.A. Ovation Award for Solo Performance); Master Class (winner, Ovation Award for Best Production); Daisy in the Dreamtime; Going to St. Ives (which went to the Edinburgh Fringe Festival); The Night of the Iguana; Summer & Smoke (winner, Ovation Award for Best Production); The Last Tycoon, which he wrote and directed (5 Back Stage West Garland awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction); among many others. He's currently writing the stage version of Tennessee Williams' novella, The Roman Spring of Mrs. Stone, courtesy of the Williams Estate. What I Heard About Iraq, which he wrote and directed, has been produced worldwide, including at the Edinburgh Fringe Festival where it won the 2006 Fringe First Award; the Adelaide Fringe Festival where it won the 2007 Fringe Award; by BBC Radio; and received a 30-city UK tour culminating in London. His stage adaptation of F. Scott Fitzgerald's The Great Gatsby inaugurated the new Guthrie Theatre in Minneapolis and is in preparation for a commercial run in London. He's produced many shows at the Fountain, including Victory, Exits and Entrances and After the Fall. His trilogy of Fitzgerald stage adaptations includes Tender is the Night, winner PEN USA Award for Drama.