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• NYLA Diva on What to Wear
  Casual and comfortable
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  Some street parking and nice to have valet as back-up
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  Dress casual. Eat before hand.

Goldstar Member Reviews

David L.

It was a poetic, dramatic telling of the Emmett Till story. I remembered the event and the Life Magazine article on the case...led me to bring it to school at a 9th grader and present this issue before my social studies class. Living in California, in a multi-ethnic neighborhood...this was my awaking to the plight of black people living in the south.....
James Baldwin has also written a play "Blues for Mr. Charlie" on this subject.....but this telling was riveting.
If you can get a ticket to this.....see it.

Written on May 21 2010

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Fana Babadayo

Productions at the Fountain theater never disappoint. I thought a ballad was a unique format used to depict this tragic episode in American history. The cast was excellent. The set/sound design, and staging was very clever.

Written on Feb 15 2010

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Davor Pevec

Excellent! Great cast. Powerful emotional event. Not to be missed.

Written on May 14 2010

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OMAR

This was a wonderful educational event! It was superbly acted and depicted. Hopefully this play grows in popularity and is able to move to larger scale venues...IT'S A MUST SEE FOR ANYONE WHO IS INTERESTED IN LEARNING ABOUT AN EVENT THAT CHARACTERIZED THE PLIGHT OF AFRICAN-AMERICANS DURING THE PRE-CIVIL RIGHTS MOVEMENT IN THE RACIST SOUTH.

Written on Apr 30 2010

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More Information About The Ballad of Emmett Till

Website

http://www.fountaintheatre.com/perform.html

Description

The Fountain Theatre opens its 20th Anniversary Season with the West Coast premiere of Ifa Bayeza's daring and poetic The Ballad of Emmett Till in celebration of Black History Month.  Shirley Jo Finney (Yellowman) directs Bernard K. Addison, Rico E. Anderson, Lorenz Arnell, Adenrele Ojo and Karen Malina White. Part history, part mystery and part ghost story, Bayeza's lyrical integration of past, present, fact and legend turns the story of the 1955 murder of 14-year old Emmett Till, whose shocking death helped spark the nascent civil rights movement, into a soaring work of music, poetic language and riveting theatricality. Bayeza has newly conceived The Ballad of Emmett Till for the intimate Fountain space, giving the award-winning play, which premiered at Chicago's Goodman Theatre last year, a whole new spin.

"How do you re-think an epic piece for a 78-seat theater so that it becomes a uniquely intimate experience?" she asks. The result, says Fountain co-artistic director Stephen Sachs, is a fast, immensely theatrical, 90-minute version with a cast of five that "celebrates a young man who lived, not an icon who died."

"Everybody thinks of Emmett Till's story as a tragedy," says Finney. "This play is a joyous look at a life lived.  Emmett was a hero and a martyr, not a victim.  He had overcome polio, replacing his limp with a swagger.  A stutterer when he was young, he became a wordsmith.  He had a zest for living and a sense of humor; he was fearless and he was defiant.  Those white men had just set out to 'teach him a lesson' - they murdered him because he was a 'smart mouth.'  Three months later, Rosa Parks refused to get off the bus - and she said she was 'thinking of Emmett Till.'  It was the spirit of his being that sparked the civil rights movement, his defiance and his refusal to bow down and be broken.  And it was his mother who laid that foundation in him and who refused to hide any more by keeping that casket open.  Emmett was the voice of a new generation."

With this production, the Fountain celebrates another life lived as well.  Shirley Jo Finney stepped in to direct The Ballad of Emmett Till after director Ben Bradley was found murdered in his home on January 2.  "Because Ben loved the play and the project so much, we were determined to go forward," explains Sachs. "Shirley Jo is a fabulous director and a longtime member of the Fountain family.  Ben worked with her many times and adored her."

Ifa Bayeza is an award-winning playwright, producer and conceptual theater artist. Her works for the stage include Amistad Voices, Club Harlem, Kid Zero, Homer G & the Rhapsodies, for which she received a Kennedy Center Fund for New American Plays fellowship, and The Ballad of Emmett Till, which received its world premiere at the Goodman Theatre in May 2008 and which garnered the 2008 Mystery Writers of America Edgar Award for "Best Play."  Bayeza received numerous honors for The Ballad of Emmett Till, including research fellowships from Brown University, Columbia College in Chicago and the Eugene O'Neill 2007 Playwrights Conference. Her work has been performed at Chicago Shakespeare Theater, Lorraine Hansberry Theatre,

Crossroads Theatre, BRAVA, Cosmic Theater in Amsterdam and at the Sorbonne. Bayeza served as the original dramaturg and set designer for Ntozake Shange's for colored girls at New Federal Theatre and The Public Theater. A graduate of Harvard University, Bayeza is co- founder of the theatrical think-tank DBA Studios, a founding board member of the SonEdna Foundation of Mississippi and a member of the Dramatists Guild of America. She lives in Chicago.

Shirley Jo Finney directed Yellowman at the Fountain, for which she received NAACP, Los Angeles Drama Critics Circle, Back Stage Garland, and LA Weekly Awards for Best Director.  Other Fountain credits include Central Avenue and From the Mississippi Delta.  She has directed all over the United States including at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, Crossroads Theater Company, Actors’ Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival and Sundance Theatre Workshop.  She directed the East Coast premiere of Lydia Diamond's Stickfly at the McCarter, followed by the West Coast premiere at The Matrix Theatre for which she was nominated for an Ovation Award. She premiered a new play based on a children's book, Alice, written by Whoopi Goldberg at the Kennedy Center in Washington D.C, which  went on to tour nationally.  She has directed several episodes of the UPN series Moesha and the Naked TV project for Fox Television, and she is the recipient of the International Black Filmmakers Award for the short film Remember Me.  In the spring of 2011, she will direct the world premiere of a new opera about Winnie Mandela in Johannesburg, South Africa. 

Set Design for The Ballad of Emmett Till is by Scott Siedman; Lighting Design is by Kathi O'Donohue; Costume Design is by Naila Aladdin-Sanders; Sound Design is by David B. Marling; Dialect Coach is JB Blanc; Production Stage Manager is Elna Kordijan; Stephen Sachs and Deborah Lawlor produce.