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The Exorcist: Exclusive Goldstar Pre-Sale of Chilling New Adaptation From the Novel

(10886 Le Conte Avenue Los Angeles, CA 90024)
Exorcist-main
Full Price:
$67.00 - $87.00
Our Price:
$50.75 - $82.00*
2.9 by 18 members
This highly anticipated new stage thriller, adapted from the acclaimed original 1971 novel, comes to life this summer at the Geffen -- and Goldstar members can scare up tickets before the general public. A sophisticated and suspenseful new take on the classic tale of good versus evil, this world premiere comes with a team of Broadway veterans including Tony Award-winning director John Doyle and acclaimed playwright John Pielmeier (Agnes of God). William Peter Blatty's chilling story promises an immersive and terrifying live theatrical experience.

* Additional fees apply.

All offers for The Exorcist have expired.

The last date listed for The Exorcist was Sunday July 22, 2012 / 7:00pm.

Currently at Geffen Playhouse - Gil Cates Theater:

Yesprimeminister-goldstar-920x520-2

Yes, Prime Minister: U.S. Premiere of West End Smash Hit at the Geffen

Full Price:
$57.00 - $77.00
Our Price:
$29.50 - $39.50

The Geffen Playhouse presents the American premiere of Yes, Prime Minister, the uproarious political satire fresh from an acclaimed West End run. Join Prime Minister Jim Hacker and his scheming Cabinet Secretary as they try to survive a chaotic weekend that teeters on the edge of catastrophe. With the entire nation on the brink of financial ruin, will the PM and his motley team of advisors resort to a morally dubious deal with the Foreign Minister of Kumranistan in order to avert potential calamity? Written by Antony Jay and Jonathan Lynn, creators of the 1980s BBC sitcom upon which the play is based, Yes, Prime Minister features a talented cast of stage and screen stars including Michael McKean (This Is Spinal Tap), Tony Award winner Jefferson Mays (Broadway's The Best Man) and Brian George (Seinfeld, The Big Bang Theory). Learn More

10886 Le Conte Avenue
Los Angeles, CA 90024
310-208-5454
26235613geffen

Goldstar Member Tips

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Goldstar Member
Casual to Saturday night out dress.
info Feb 23 2013 star this tip starred
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Goldstar Member
Parking right next to the theatre for $7.50. A block west $5.00.
info Feb 23 2013 star this tip starred
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Goldstar Member
Beer, wine, basic distilled liquors, store bought snack bars.
info Feb 23 2013 star this tip starred
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Goldstar Member
Nice to walk around Westwood afterwards for a late snack.
info Feb 23 2013 star this tip starred
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Goldstar Member
No intermission. Perfect not too long.
info Feb 23 2013 star this tip starred
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Malcolm McNeil
Smart and sharp
info Feb 23 2013 star this tip starred
All 13 Tips

Reviews & Ratings

18 ratings
2.9 average rating
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52 events
13 reviews
3.0
attended Jul 13 2012

I read the play being based on the orignal novel, not the movie. Aside from updating time issues like cell phones etc, it's no different. Except for the excitement. When I read that Teller (of Penn &) was an effects consultant, I was hoping that there might be special effects. Ish. I was expecting more. I wanted to like this a lot. I liked it a little.

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6 events
2 reviews
2.0
attended Jul 14 2012

I REALLY wanted to like this play, even a little bit, but unfortunately the unusual staging only served to diminish what was good about the story. It felt like watching an Ingmar Bergman film, with the actors standing across the stage talking over one another and rarely engaging, unless they had a specific reason to do so. Brooke Shields turned in a very good performance, and Richard Chamberlain could read the phone book and be entertaining, but it was Harry Groener who walked away with the play, bringing the only character depth to any of the performances. The rest of the actors seemed stiff and acted at a collegiate level. I honestly thought they were the understudies. A few cheap jump-scares and a nice Vegas-style magic trick were the extent of any effort to touch on the supernatural elements of the story, and ultimately, when the end of the show came and the actors heard the "slow hand" clapping from the now 20% lighter audience, it appeared that they themselves realized things had not worked as all might have hoped, myself included. Two quick curtain calls, and I suspect Brooke and Richard were home in bed before I left the parking lot. I always applaud any effort to push the boundaries of theater, and it saddens me when a production falls this far short.

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091
113 events
29 reviews
2.0
attended Jul 16 2012

This site makes crazy things out of apostrophes, so try to read through them. What a disappointment. I will start with the first thing you see. The stage and set design looks ominous at first but before long just comes off as lazy. Then there is the story and it's characters. There is never any character development so you never feel anything for anyone and the characters themselves don't even seem to know who they are or who they are supposed to care about. The mother (Brooke Shields) is supposedly not religious yet gets upset to see her daughter playing with a Ouija board. Later she seems more upset that the priest (or, more seemingly, the "Doc" of the old west) doesn't have a magic tonic in his black bag than she does about her daughter being either possessed or mentally ill. In fact you never feel that she cares about her daughter at all but cares more that her household has been upset. She is supposed to be a very rich actress but rather than stay with her daughter and send a staff member she just leaves her home and goes off to the pharmacy! The uncle seems to care for his niece but gets angry at the thought of babysitting her for 15 minutes. The head priest (Richard Chamberlain) seems more like a late night TV horror movie host who is more Vampira than Elvira at first, but by the end, with his widening eyes and raised eyebrows quickly becomes Bela Lugosi in Ed Wood. The younger priest and the housekeeper are the plays only saving grace. Fine performances and some character background provide fleeting interest. The uncle is apparently (spoiler alert) murdered simply for being gay and the young priest (spoiler) takes his life because of guilt and his own selfish reasons rather than for any heroic or caring reason. There is never any threat or sense of danger throughout the 90 minutes and the ending is abrupt and mostly uneventful. There is a cool levitation scene that brings your attention back to the performance in front of you but it's fleeting. Then we are right back to the temper-tantrum-having child who curses, a mother who is more upset with herself over a past parental misstep than about the child in front of her, a selfish priest, and another priest you half expect to raise his arm in front of his face, covering half of it with his robe, and start saying "blah, blah" in a Transylvanian accent. Dull, emotionless and uneven, this production could use a trip back to the drawing board, writing room, and rehearsal workshop more than anyone here needs an exorcism.

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All 14 Reviews

More Information About The Exorcist

Website

http://geffenplayhouse.com/more_info.php?show_id=137&hide_calendar=1

Quotes & Highlights

  • “So many of us think we know what The Exorcist is but…" Watch a short interview from Geffen Playhouse Artistic Director Randall Arney.

Description

This production contains loud noises, strong language, sexual content and mature themes. It is not recommended for persons under the age of 17.