Lynn Redgrave in The Importance of Being Earnest at the Ahmanson Theatre
Ahmanson Theatre, at the Music Center (135 North Grand Ave. Los Angeles, CA 90012)
- Full Price:
- $35.00 - $75.00
- Our Price:
- $20.00 - $32.50*
* Additional fees apply.
All offers for The Importance of Being Earnest have expired.
The last date listed for The Importance of Being Earnest was Sunday March 5, 2006 / 2:00pm.
Currently at Ahmanson Theatre:
Sondheim's Follies: Tony-Winning Broadway Hit at the Ahmanson
- Full Price:
- $95.00 - $110.00
- Our Price:
- $47.50 - $55.00
The Kennedy Center's critically-acclaimed Broadway production of Stephen Sondheim's classic musical Follies, currently nominated for eight 2012 Tony Awards, comes to the Ahmanson Theatre, where it's receiving equally stellar reviews. It's the haunting story of two troubled couples who reunite at the decrepit theater where the ladies once performed, facing the ghosts of the past and the harsh reality of the present. Featuring a memorable score by Sondheim, including such enduring songs as "Broadway Baby," "Losing My Mind" and "I'm Still Here," the show is also a riveting look at the deterioration of the American dream -- a crack in the plaster of the gilded age of Broadway. Director Eric Schaeffer is joined by much of his original cast -- with 41 performers, it's one of the largest ever on this stage -- as well as a 28-piece orchestra. Tony Award-winner Victoria Clark joins the production, while reprising their roles from the New York show are 2012 Tony nominees Jan Maxwell, Danny Burstein and Ron Raines. Learn More
12 Goldstar Member Reviews
Jim Guillet
A delight ... Oscar Wilde holds up so well. It's like the dialog was written yesterday!Written on Feb 27 2006
- 0
- 0
- 0
It was wonderful, farcical, satirical and an all around good time.Written on Jan 23 2006
- 0
- 0
- 0
More Information About The Importance of Being Earnest
Website
http://www.taperahmanson.com/show.asp?id=312
Description
Jack loves Gwendolen. Algernon loves Cecily. The women, too, are in love, with men they believe to be called Ernest - “that name that inspires absolute confidence.”
While Gwendolen’s Ernest seems perfectly honorable, Cecily’s is ostensibly wicked. Yet both have bent the truth and neither is quite who he says he is. The four lovers find themselves together in the country, snared in romantic entanglements only the sharp wit of Oscar Wilde could devise and resolve.

