Tommy's Vitaphone Varieties at the Steve Allen Theatre
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The last date listed for Tommy's Vitaphone Varieties was Saturday March 18, 2006 / 8:00pm.
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- Full Price:
- $35.00 - $45.00
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- $17.50 - $22.50
It's everyone's favorite boy-meets-girl, plant-eats-world love story: Little Shop of Horrors. Take a musical journey through the streets of Skid Row to a struggling flower shop where a blood-thirsty plant from another world eagerly awaits its next victim. Seductive, tragic and full of delightfully demented humor, this long-running Off-Broadway musical comedy is based on Roger Corman's B-movie and was later turned into a Broadway show and an Academy Award-nominated film starring Rick Moranis and Steve Martin. Now the intimate Cupcake Theater stages this campy classic with book and lyrics from Howard Ashman and music by Alan Menken, the legendary team behind the scores for Disney's The Little Mermaid, Beauty and the Beast and Aladdin. Enjoy a night of bloody good fun with doo-wop inspired songs like "Skid Row," "Somewhere That's Green," "Feed Me" and "Suddenly, Seymour." Learn More
TOM MARION, who co-founded the Parlor Boys with Janet Klein, is a unique musician. He is the last of the old-time Italian string players. He plays guitar, banjo and mandolin with equal grace, and in a style that virtually disappeared before World War II. In the early 70’s, Tom was introduce to legendary cartoonist and musician Robert Crumb. He instantly became a member of R. Crumb’s Cheap Suit Serenaders, playing and recording with them for several years.
In 1976, Tom moved to Los Angeles. He joined the local music scene, playing with Brad Kay’s Majestic Dance Orchestra, crack ragtime ensemble The Hollywood Red Hots, legendary entertainer Nick Lucas, The Knotts Berry Farm Entertainers (with whom he toured Japan in 1981), and, over the years, countless other gigs and bands. In the late ’80s, Tom began a lasting association with crooner Johnny Crawford, which combination gave fortunate listeners the chance to experience a vocal-with-guitar sound not heard since the days of Bing Crosby and Eddie Lang.
In late 1997, Tom met Janet Klein, who had very little idea that she was going to have more than her own ukulele for accompaniment. He sensed her potential, and quickly helped her to work up a considerable book of the ’20s-era songs they both loved. The Janet Klein and Her Parlor Boys