American Premiere of Trio: Love Triangle Between Robert and Clara Schumann and Brahms.
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The last date listed for Trio was Saturday April 9, 2011 / 8:00pm.
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Reviews & Ratings
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4*s for an interesting and well acted play, plus 0.5* for the enthusiasm the actors brought to their parts, rounded up to 5*s. This play, as good as it is, would have benefited greatly from live music -- almost all the highest rated plays related...continued
Quotes & Highlights
Learn "more ":http://www.quartzmusic.com/artistdetail.php?ID=35about Isreala Margalit
“…Trio is a must see…a wise and powerful drama…magnificent piano renditions…spirited acting…stunning…”—Santa Monica Press
“…Beautifully written…intelligent, witty, and droll dialogue…perfectly conceived and executed…stellar performance…”—SoCal.com
“…Trio is refined, polished, and elegant…the mad and passionate romance between the Schumanns and Brahms is brought to full life…”—Eyespy L.A.
The “delicate balance between history and creative risk-taking is wholly successful…the entire ensemble is ecxellent”—Neon Tommy, Annenberg Digital News
Music, passion, madness, and one woman’s fight for her right to a career. The intense relationships between Robert Schumann, his wife Clara Schumann and the young Johannes Brahms come to theatrical life in a new romantic drama by playwright and renowned concert pianist, Israela Margalit.
The U.S. premiere of Trio is directed by Rick Sparks and featuring Peter Colburn, Bjorn Johnson, Meghan Maureen McDonough, Brian Normoyle and Jeremy Shranko*
*Schumann, Clara Schumann, and Johannes Brahms: three musical giants who loved, admired, and nearly destroyed one another in a clash of personal and artistic passions. The story of the sometimes troubled marriage of Clara and Robert, the arrival in their household of the dynamic, 21-year-old Brahms, Robert’s decline into mental illness, and the deepening, intriguing bond between Clara and Brahms, has fascinated music lovers for years.
“It’s a classic romantic triangle, set in a hotbed of artistic fervor,” notes Sparks.
Although inspired by history, Trio is a work of dramatic fiction. Margalit was already deeply familiar with the characters and their story before she began writing, having previously penned a television special about Clara Schumann for ZDF Germany, and having performed the music of Schumann and Brahms extensively in concerts and recordings.
“I did an enormous amount of research, including traveling to Germany to read all available historic documents in the original language,” she says. “The relationships between the three of them – between Robert and Clara, Robert and Brahms, and Brahms and Clara – were very complex. These were three larger-than-life personalities with huge artistic egos.”
“Clara Schumann was the most famous female concert pianist in Europe when she curtailed her career to marry Robert Schumann and give birth to eight children. He was a huge talent, but he was plagued by problems: he had ruined his hand and couldn’t play the piano; his music was not popular; he lacked the personal charisma to succeed as a conductor; and he suffered from depression," Margalit continues.
“Johannes Brahms was young, charming, and idolized them both. But no one knows for certain what really went on between them. It’s a matter of reading between the lines and using one’s imagination. The characters and events in the play are all historical, but the interpretation is mine.” Trio was first discovered by Russian theater director Pyotor Stein, who directed Emmanuil Vitorgan, Yevgeniya Kryukova and Dmitry Isayev, three of Russia’s most famous actors, in the world premiere, in a Russian translation, at Moscow’s Soveremenick Theater. Moscow-based music critic George Loomis noted in a story for the_ International Herald Tribune _that _Trio _was “a rare instance of a new American play receiving a commercial production in Russia.” It became an instant hit, performing to sold-out halls for five years in Moscow, St. Petersburg, Kiev, and throughout Russia and the Ukraine.
Now in its second Russian production (with the original cast), it continues to perform as a guest production at Moscow’s Vachtanghov Theater.
Music is integral to the play, functioning almost as an additional character. All of the piano excerpts used in the production have been recorded by Margalit; her son, Ilann Margalit Maazel, joins her on the recording of Brahms’ _Hungarian Dance for 4 Hands.
*Israela Margalit *is an award-winning playwright and television writer, concert pianist, and recording artist. In addition to Trio, her plays include Night Blooming Jasmine (directed by Jeremy Dobrish, The Tribeca Playhouse); 3 O’clock in Brooklyn (directed by Margarett Perry, Access theater); and First Prize, which is set to premiere at the Arclight Theater in New York, directed by Margarett Perry. Her short play, On the Bench, received an honorary mention for Outstanding Play at the New York 15-Minute Play Festival. Her television specials for ZDF, Transtel/Deutsche-Welle/PBS, and Arts & Entertainment, including a series with Sir Peter Ustinov, have been shown in more than thirty countries, and received The Gold Medal of The New York Film and TV Festival, two NEA Media Awards and an Emmy® nomination.
Israela has recorded extensively for EMI, Universal Classics and Jazz (UCJ), Chandos, Black Box, Resonance, Koch International and Decca. Her most celebrated recordings include the 20th Century Anglo/American Chamber Music Series (British Music Industry Award – Best CD, Korngold) the Brahms First and Rachmaninoff Second Piano Concertos with the London Symphony Orchestra, the Saint-Saens Second Piano Concerto and the Schumann Piano Concerto with The London Philharmonic Orchestra, and the Shostakovich First and Schnittke Second Piano Concertos with The Moscow Philharmonic Orchestra.
She has appeared with fifty of the world’s greatest orchestras, including The Berlin Philharmonic and The American Big Five, and toured in the US, South America, Western and Eastern Europe, the Middle East, and Asia.
*Rick Sparks *recently directed the currently running, critically acclaimed production of _Daddy _at the Hudson Mainstage. He co-adapted and helmed (in association with CBS) I Love Lucy Live On Stage for Las Vegas. Other directing credits include _Divorce! The Musical; the critically acclaimed L.A. premiere of Psycho Beach Party_ by Charles Busch; his own multiple award-winning adaptation and staging of_ They Shoot Horses, Don’t They?_; a rock ‘n roll adaptation of A Clockwork Orange (his second LA Drama Critic’s Circle win for Direction); Down South, which moved to New York after a long L.A. run; The Nothing Boys (produced by TV’s Entourage producer Rob Weiss); Laguna Playhouse’s West Coast premiere of Don’t Talk to the Actors_; The Colony Theater’s critically acclaimed production of Clutter; _and John Patrick Shanley’s West Coast premiere of Where’s My Money?