Minnesota Dance Theatre: Two Premieres, Two Favorites for Fall Repertory
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The last date listed for Fall Repertory was Sunday October 13, 2013 / 2:00pm.
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Follow the St. Paul Saints into another exciting season of American Association professional baseball at Midway Stadium. The roster sports some big-league veterans as well as a rotating crew of fresh faces. Along with all the thrills on the field, there's always plenty going on in the stands, with Saints player tailgate parties on Walser Wednesdays, $1 beer on Thirsty Thursdays and of course, Friday Night Fireworks. That's not to mention the mascot ballpig oinking up the crowd, fun family activities and great concession deals. Learn More
Reviews & Ratings
Featured review from RoxanneRed Velvet
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This was my first visit to the Cowles Center. It's very nice. The 4 different dance pieces in the Fall Rep were all very different from each other. The variety was amazing. The classical ballet was beautiful. The modern dance piece was unique, curious, charming and funny. The Gregory Hines tribute piece was very....Gregory Hines.
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My wife has been trying to get me to go to Ballet for years. This was a great way to get an opportunity to please her and not overdo for myself.
The performances were great, the variety was welcome and the interpretive portions interesting.
Quotes & Highlights
Visit Minnesota Dance Theatre’s website.
Serenade for Two, World Premiere
Fresh from the world stage, MDT’s Associate Artistic Director, Charles Askegard’s new ballet is set to the rhythmic and melodic score of Stravinsky’s Serenade in A, with pianist Tom Linker.
Edifice Wrecks, World Premiere
Artistic Director Lise Houlton with colleague Dane Stauffer combines the energy of company dancers in a series of “what ifs” with a musical mix from Purcell to Mozart.
A Stair Dance
The critically acclaimed, “athletically ambitious” piece by New York choreographer Eliot Feld with music by Pulitzer Prize winner Steve Reich was created in memory of tap dancer Gregory Hines.
Founder and visionary Loyce Houlton’s choreographic statement shows her profound respect and delight for the classical ballet esthetic