Broadway's Tom Wopat (A Catered Affair) at the Metropolitan Room
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Members Who Went Said:Great numbers, well arranged, presented with charm and ease. Wopat was a winner!
Tom How could not enjoy a Tom Wopat show? He's so comfortable on stage, and with no pretention, that it feels as if you have been invited to a party in someone's living room to hear some great music. The two Jimmy Webb tunes he sings are my all-time favorite versions of those songs - especially wonderful with one of them being done last night without a microphone! And the Metropolitan Room is run so well that it's always a treat to see a show there too. Great night all around! |
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Event Highlights
More Details About This Event: Tom Wopat is currently starring in Tony-nominated musical A Catered Affair. Before this, Wopat appeared as the lead in Chicago, and returned to Broadway in March for his first dramatic role there, starring alongside Alan Alda, Jeffrey Tambor and Liev Schreiber in David Mamet's Glengarry Glen Ross. On his most recent album, 2005's Dissertation on the State of Bliss, Wopat delivers infectiously jazzy interpretations of Harold Arlen songs including "Accentuate The Positive", "Over The Rainbow", "Come Rain Or Come Shine" and "If I Only Had A Brain". "The performance is all about the song," says Wopat. "It's not about me. The singer's job is to establish the mood and tell the story of the song." Wopat first started singing and dancing in high school musicals, and studied music at the University of Wisconsin before making his television debut in 1978. He starred in -- and directed several episodes of -- the popular "Dukes of Hazzard", playing Luke Duke in the show, which ran from 1979-1985. After the series ended, Wopat made his triumphant return to Broadway (Annie Get Your Gun), and continued to appear on television ("Cybill", "Home Improvement", and hosting his own show on TNN). Wopat's recording career started in 1983 with his self-titled country album. Since then, he released six other country albums before the 2000 album, The Still of the Night, which introduced fans to his love of standards. About Metropolitan Room: The Metropolitan Room is housed in a landmark 1898 building. This vintage space now plays host to an updated take on the idea of a music club, combining state-of-the-art sound and lighting systems with old-world charm and style. Similar to the high-end equipment used in concert halls, these systems fill the room with crisp, clear sound to generate unparalleled cabaret and jazz performances. |
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Jane Nadler
Manhattan1