Tony Award-Winning Broadway Star Mandy Patinkin in Concert
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More Details About This Event: In his 1980 Broadway debut, Mandy Patinkin won a Tony Award for his role as Che in Andrew Lloyd Webber’s Evita, and was nominated in 1984 for his starring role in the Pulitzer Prize-winning musical, Sunday in the Park with George. In 1991 he returned to Broadway in the Tony Award-winning musical The Secret Garden, and in 1997 played a sold-out engagement of his one-man concert, Mandy Patinkin in Concert, with all profits benefiting five charitable organizations. Mandy’s other solo concerts, Celebrating Sondheim and Mamaloshen, have been presented both on Broadway and off. Other stage credits include The Wild Party, Falsettos, The Winter’s Tale, The Knife, Leave It to Beaver is Dead, Rebel Women, Hamlet, Trelawney of the "Wells," The Shadow Box, The Split, Savages and Henry IV, Part I.
Feature film credits include: "The Choking Man," "Piñero," "Elmo In Grouchland," "Men with Guns," "The Princess Bride," "Yentl," "The Music of Chance," "Daniel," "Ragtime," "Impromptu," "The Doctor," "Alien Nation," "Dick Tracy," "The House on Carroll Street," "True Colors," "Maxie" and "Squanto: Indian Warrior." He won a 1995 Emmy Award for his critically acclaimed performance in the CBS series “Chicago Hope,” and recently starred in the CBS series “Criminal Minds” as FBI profiler Jason Gideon and the Showtime Original Series “Dead Like Me.” His other television appearances include the role of Kenneth Duberstein in the Showtime film “Strange Justice,” playing Quasimodo opposite Richard Harris in the TNT film presentation of “The Hunchback” and a film version of Arthur Miller’s “Broken Glass” for BBC/WGBH-Boston. In 1989, Mandy began his concert career at Joseph Papp’s Public Theater. This coincided with the release of his first solo album, entitled Mandy Patinkin. Since then he has toured extensively, appearing to sold-out audiences across the United States, Canada and in London, performing songs from writers including Stephen Sondheim, Rodgers and Hammerstein, Irving Berlin, Randy Newman, Adam Guettel and Harry Chapin. In 1990 he released his second solo album, entitled Mandy Patinkin in Concert: Dress Casual on CBS Records. His 1994 recording, Experiment, on the Nonesuch label, features songs from nine decades of popular music from Irving Berlin to Alan Menken. Also recorded on the Nonesuch label is Oscar & Steve and Leonard Bernstein’s New York. In 1998, he debuted his most personal project, Mamaloshen, a collection of traditional, classic and contemporary songs sung entirely in Yiddish. The stage production of Mamaloshen was performed on and off Broadway and has toured throughout the country. The recording of Mamaloshen won the Deutschen Schallplattenpreis (Germany’s equivalent of the Grammy Award). In 2001, Nonesuch Records released Kidults, a collection of beloved songs, designed — as the title suggests — for the kid in every adult. In 2002, Nonesuch Records released Mandy Patinkin Sings Sondheim, a figurative journey through Sondheim’s music and lyrics. Pianist Paul Ford was the original pianist for the Broadway productions of Stephen Sondheim's Sunday in the Park with George, Into the Woods, Passion, Assassins and most recently the revival of Pacific Overtures and the Tony award-winning revival of Assassins. His other Broadway credits include Curtains, 110 in the Shade (revival), Tom Sawyer, High Society, The Rink, Rags, A Day in Hollywood/A Night in the Ukraine, The Secret Garden and Falsettos. Ford was the pianist for the acclaimed Follies concert at Lincoln Center, the Carnegie Hall concert performances of A Sondheim Tribute, Anyone Can Whistle and A Little Night Music with the Philadelphia Symphony, Gypsy with Patti LuPone and the Chicago Symphony, and episodes of PBS' "My Favorite Broadway," all under the baton of Paul Gemignani. He accompanied Mr. Patinkin in Mandy Patinkin: Dress Casual at the Public Theatre and on Broadway in Mamaloshen and Celebrating Sondheim, and continues to work with him on all of his recordings and national/international tours. About Classic Stage Company: Classic Stage Company is the award-winning Off-Broadway theatre committed to re-imagining the classical repertory for a contemporary American audience. CSC presents plays from the past that speak directly to the issues of today. As it returns to works of the past, CSC endeavors to keep a clear eye on the future, particularly in terms of the next generation of artists and audiences. Classic Stage's artists are the best-established and emerging theater practitioners working in this country.
About The Gerald Schoenfeld Theatre: Built back-to-back, the Plymouth and its companion the Broadhurst were meant to evoke the style of the neighboring Henry B Herts designed Shubert and Booth theaters using less expensive materials. These first theaters designed by Herbert J Krapp use patterned brick and terra cotta materials on the facades. This is an especially nice execution of Krapp's lavish Adamesque interiors, for which he would become noted, and is individually landmarkedThe Shuberts built the Plymouth for, and in partnership with, producer Arthur Hopkins. In this age of producer-cum-impresario-cum-entrepreneur Hopkins had the singular approach of wanting to only offer 'high-brow' productions by the likes of Ibsen and Tolstoy. His formula worked for the Plymouth. Operating the theater for years after Hopkins death, the Shuberts purchased the Plymouth outright in 1948; it remains a Shubert Organization property today. The Plymouth was designated a New York City landmark in December 1987. |
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