1 Goldstar Member Review

Merrill G.

Miroku was certainly intense--the sound collage was simple, but assaultive, the costume and staging were minimalist and provided little distraction from the movements of the dancer. the dance itself appeared to require great skill and focus. the dance vocabulary was idiosyncratic and fascinating for a time, tho i did find that, because it was rather limited, it did get repetitive. the use of light as backdrop and in effect accompanist to the dancer was inspired. overall, i was quite pleased to have gone to this show, tho it was more an interesting experience than a moving one .

Written on Jul 12 2010

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More Information About Miroku

Website

http://new.lincolncenter.org/live/index.php/lcf-2010-miroku

Description

Saburo Teshigawara began his unique creative career in 1981 in his native Tokyo after studying plastic arts and classic ballet. In 1985, he formed KARAS with Kei Miyata and they started both group choreography and their own activities. Since then, he and KARAS have been invited every year to perform in major international cities around the world.   In addition to solo performances and his work with KARAS, Teshigawara has also received international attention as a choreographer/director. He has been commissioned by many international Ballet companies such as the Paris Opera to create repertoire pieces for the company.

Teshigawara has likewise received increasing international attention in the visual arts field, with art exhibitions, films / videos as well as designing scenography, lighting and costume for all his performances. 

Teshigawara's keenly honed sculptural sensibilities and powerful sense of composition, command of space and his decisive dance movements all fuse to create a unique world that is his alone. Keen interests in music and space have led him to create site-specific works, and collaboration with various types of musicians.

Besides the continuous workshops at the KARAS studio in Tokyo, Saburo Teshigawara has been involved in many education projects. Recent young members of the company KARAS are from the project Dance of Air, an educational project bringing out a performance as a culmination of a year-long workshop process, produced by the New National Theatre Tokyo. S.T.E.P. (Saburo Teshigawara Education Project) began in1995 with partners in the United Kingdom, also in the same style as Dance of Air.

In 2004, he was selected as the mentor of dance for The Rolex Mentor and Protege Arts Initiative, to work for one year with a chosen protégé. Since 2006, he has begun a professorship at the Department of Expression Studies, the College of Contemporary Psychology, St. Paul’s (Rikkyo) University in Japan, where he teaches movement theory and conducts workshops. Through these various projects, Saburo Teshigawara continues to encourage and inspire young dancers, together with his creative work.