My Sinatra: A Musical Play Featuring the Music of Frank Sinatra
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The last date listed for My Sinatra was Saturday May 28, 2011 / 7:00pm.
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You've Got Hate Mail's off-Broadway run began in 2010 and is still going strong. This critically-acclaimed comedy about online hook-ups and break-ups proves that love "bytes" when an extramarital affair goes horribly wrong thanks to a juicy email left sitting on a desktop. Told entirely through emails read from laptop computers, the play even includes an unforgettable chase scene -- thanks to a network of smartphones. You've Got Hate Mail features a rotating cast and appearances by special guest stars from stage and screen. Authors Billy Van Zandt and Jane Milmore, "the masters of modern farce," are among the most produced playwrights in the world, and have garnered multiple film and television awards for their work as actors, producers and writers. Learn More
Reviews & Ratings
Featured review from Eli K
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Love Sinatra and his songs but this show did not meet my expectations. Only a few songs were performed and there was so much talking. The subject was not Frank but the life of the performer on stage - some content was funny but overall not that interesting. Was hoping to hear my favorite Sinatra's songs - My Way, New York New York - but none of these were performed. There was no band but one pianist who was also managing the recorded music. I had invited two friends who did not enjoy the show that much either. If you are looking for some light comedy/talk show with a flavour of Sinatra - this could be it. But between us - I would rather do something else. I am sure the performer is talented but I would ask him to reconsider the content of his show - he should sing more or not call this a musical.
Quotes & Highlights
Using more than 30 Sinatra songs, Hoffman creates a musical score to his and his hero's life by weaving them into a compelling story of how an exquisite vocal obsession affected his life.
My Sinatra was concieved by Cary Hoffman; written by Cary Hoffman & Paul Linke; directed by Paul Linke; musical direction, arrangements, and incidental music by Bob Goldstone.