Goldstar Member Tips

• Elle on What to Wear
  Casual
• AWM on Where to Eat
  Drinks are good, but expensive. Order early as the bar gets overwhelmed.
• lalunia on Other
  Please try not to be late so not to disturb those who are the for the performance.

6 Goldstar Member Reviews

Elle

Gato is amazing! The venue is small, so I recommend going early and having dinner at least two hours before show time so that you can get a good table. The performance was wonderful, it is no wonder Gato is a legend. And the band was great too.

Written on Jun 08 2009

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AWM

First time @ the Blue Note. Great staff, room was crowded, but we were seated promptly and provided wtith menues and given enough time to make our selections (beware drinks $$, but very good!). Sat in the upper section, by the rail; good seats, could see very well and out of the way of traffic. Professional staff kept things flowing and this event was packed maybe two/four seats empty. Gato Barbierei was FABULOUS!! There was very little banter, chit-chat between songs. The set was almost a full two hours long and the band was really very good. Some songs I knew, others I heard for the first time...I would definitely go to another of his shows.

Written on Jun 08 2009

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Goldstar Member

Just perfect. The seating was great, and Gato just could not have been better!!! Thanks a million!!!

Written on Jun 08 2009

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lalunia

Great music, intimate place. Get the early to get good table, although you will get good visibility from anywhere in the room.

Written on Jun 08 2009

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More Information About Saxophonist Gato Barbieri

Website

http://www.bluenote.net/newyork/schedule/moreinfo.cgi?id=6741

Description

<p>Mystical yet fiery, passionately romantic yet supremely cool…You hear those first few notes from that instantly recognizable tenor and know you’re in the unique musical world of Gato Barbieri.

His legend continues on his most recent and 50th album “The Shadow of the Cat”(Peak/Concord PKD-8509-2). Released in September 2002, “Shadow” won Billboard’s prestigious 2003 Latin Jazz Album of the Year and garnered a Latin Grammy nomination. Beginning professionally as a teenager playing alto sax in Buenos Aires clubs, Barbieri’s five decade career has covered virtually the entire jazz landscape, from free jazz (with trumpeter Don Cherry in the mid-60s) and avante garde to film scoring and his ultimate embrace of Latin music throughout the 70s and 80s. He began playing tenor with his own band in the late 50s and moved to Rome with his Italian born first wife Michelle in 1962, where he began collaborating with Cherry. The two recorded two albums for Blue Note, Complete Communion and Symphony for Improvisers, which are considered classics of free group improvisations. Barbieri launched his career as a leader with the Latin flavored The Third World in 1969, and later parlayed his Last Tango success into a career as a film composer, scoring a dozen international films over the years in Europe , South America and the United States . From 1976 through 1979, Barbieri released four popular albums on A&M Records, the label owned by trumpet great Herb Alpert. The Shadow of the Cat is a reunion of sorts for the two, with Alpert playing trumpet and trumpet solos on three songs.

Barbieri officially took up the clarinet at age 12 when he heard Charlie Parker’s “Now’s The Time”, and even as he continued private music lessons in Buenos Aires, he was playing his first professional gigs with Lalo Schifrin’s orchestra.

Barbieri credits his learning of musical discipline to his years working with Don Cherry while living in Europe . While collaborating with Cherry in the mid-60s, the saxophonist also recorded with American expatriate Steve Lacy and South African pianist Abdullah Ibrahim, then known as Dollar Brand. Other associations during Barbieri’s free jazz days included time with Charlie Haden, Carla Bley and the Jazz Composer’s Orchestra, as well as dates with Stanley Clarke, Airto Moreira, Chico O’Farrell, and Lonnie Liston Smith.</p> <p>He had recorded a handful of albums on the Flying Dutchman label in the early 70s and then signed with Impulse where he recorded his classic Chapter Series Latin America , Hasta Siempre, Viva Emiliano Zapata and Alive in New York . While at Impulse, Last Tango hit, and by the mid-70s, his coarse, wailing tone began to mellow with ballads like “What A Difference A Day Makes” (known to Barbieri as the vintage bolero “Cuando Vuelva a tu Lado”) and Carlos Santana’s “Europa”. Many smooth jazz radio stations later adopted “Europa” as their theme song, indicative of the vibe of the “new” format, which launched in the late 80s. Most of Barbieri’s A&M recordings of the late 70s—including the brisk selling 1976 opus Caliente!—featured this softer jazz approach, but early 80s dates like the live Gato…Para Los Amigos had a more intense, rock influenced South American sound.

After many years of limited musical activity due to the passing of his first wife Michelle (also his closest musical confidant and manager) and his own triple bypass surgery six weeks later, Barbieri returned stronger than ever with the 1997 Columbia offering “Que Pasa”, the fourth highest selling Contemporary Jazz album of the year.

Since “The Shadow of the Cat”, Gato has continued to play festivals, concerts and clubs around the world. One reviewer, who first saw Gato live in 1972, and then reviewed Gato live again in 2004, said of his 2004 performance (May 15, 2004, Washington, PA), “Gato’s show that night was nothing less than consummate artistry by a true master of the jazz idiom. If this is what his performances are like these days, then everyone should see him while he still has the energy to play like this. He is one of the rarest musicians in any style because he has created a sound unique to himself that is timeless. His music sounds every bit as powerful, vital, and refreshing as it did in 1972,” when this reviewer first saw him perform in Princeton , NJ .

In July of 2003, Long Island University and WLIU combined to give Gato a Lifetime Achievement Award. In September of the same year, Boston Symphony Orchestra’s Tanglewood Jazz Festival headlined Gato Barbieri at the Ozawa Concert Hall. The performance was broadcast live by Boston ’s WBGH and New York ’s WBGO; it was the beginning of the fledgling NPR station network as the concert was simulcast over eight stations from New England to Pennsylvania to Chicago .</p>