Judith Owen: Witty Welsh Singer-Songwriter at the Metropolitan Room
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All offers for Singer-Songwriter Judith Owen have expired.
The last date listed for Singer-Songwriter Judith Owen was Saturday April 4, 2009 / 9:45pm.
Currently at Metropolitan Room:
- Full Price:
- $10.00 - $44.95
- Our Price:
- $5.00 - $22.47
Located in the heart of Manhattan, the high-end cabaret and jazz club Metropolitan Room brings the latest in live music to New York City. Fabulous award-winning performers like Annie Ross and Baby Jane Dexter take the stage in an intimate 115-seat setting reminiscent of the golden age of cabaret. From jazz and blues to Great American Songbook favorites and standards, this club's got it all on the lineup. The venue's also been known to host a fun night of stand-up comedy. Please see the full event description for the current schedule. Learn More
Accessibility info: Entry on street level, no steps and no ramps into the seating area, wheelchairs would have to call first because of narrow aisles, but I bet they would accommodate you; many were there with canes, albeit pretty ones, and were fine. However, the coat room is down a flight of steps and I am not sure if the bathroom may be there too. Check if that is a concern. I found them helpful when I called about my companion, who cannot do stairs.Cabaret & Jazz at the Metropolitan Room info • Dec 28 2013 star this tip starred
Judith Owen, the Welsh singer-songwriter, has garnered a wealth of praise from discerning critics, fellow artists, music supervisors and others. Her rise culminates in a major milestone as she undertakes this exclusive Metropolitan Room engagement.
Owen has been lauded for her live performances, which showcase her sharp sense of humor as well as her musicality. Stephen Holden of The New York Times has written, “By turns romantic and brashly witty, [Owen] suggests a fusion of Joni Mitchell (personal subject matter), Annie Lennox (vocal quality) and Burt Bacharach (melodies).”
Among material spanning her career, Owen’s show will feature songs from her album Mopping Up Karma, released worldwide in January on her label, Courgette Records. Mopping Up Karma is the best document yet of Owen’s artistry. The seeds of the album are a set of recordings that were going to be her major label debut ten years ago. She made them with star producer Glen Ballard (Annie Lennox, No Doubt, Dave Matthews), whose discovery of Owen performing in the Hollywood club Luna Park led to her signing by the Capitol boutique label Java Records. Setting out to make her first album for the label, Owen began writing and recording with Clifton Magness (Avril Lavigne) and Ballard. When the company’s presidency changed hands, Owen was nearly left to languish. She decided to go it alone, record new albums and release them independently, which she has done with rare success. And now, a decade later, she has returned to the Mopping Up Karma tracks and transformed them — newly recorded vocals, re-mixed tracks, and more — for a new album. The Washington Post says of the album, “Owen’s voice is so lovely and soulful, even spellbinding at times, that she has no problem convincing us that looking over her shoulder is time well spent.”
The Metropolitan Room engagement marks a return to the U.S. for Owen, who just toured the U.K. as a featured vocalist in Richard Thompson’s 1,000 Years of Popular Music. Reviewers of that show lauded Owen’s performance especially. Having attended The Barbican, The Guardian said Owen “deserves to emerge as a celebrity in her own right thanks to her subtle theatrical approach and her ability to constantly switch styles.”