Venue Details

14 Star Starred
The Duplex
at 7th Ave 61 Christopher St. New York, NY 10014
646-418-3425
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Quotes & Highlights

“Julie Gold has a winner in From A Distance_…It is one of those rare songs that has struck such a deep chord with the public that it succeeded in spite of not being trendy or formulaic.” —New York Times_
“Grammy Award winner Julie Gold…provides evidence that Tin Pan Alley has not been completely strip-mined – the forms and spirits of Irving Berlin and Sammy Cahn flow through new Gold standards like Good Night, New York_.” —New York Newsday_

Description

Julie Gold was working as a secretary for HBO in New York when a telephone call from Nanci Griffith changed her life. An aspiring singer/songwriter, Gold had been waiting for her big break when a tape of her song, “From a Distance,” was sent to Griffith by singer/songwriter Christine Lavin. Griffith was so impressed by the song that she called Gold seeking permission to cover it on her album, Lone Star State of Mind. Griffith’s recording was only the first of numerous renditions of Gold’s tune. In addition to Bette Midler’s 1990 interpretation, which received a Grammy award as Song of the Year, the song has been covered by an eclectic range of artists including James Galway, Jack Jones, Patti LaBelle, Cliff Richard, Donna Summer, Phil Coulter, Kathy Mattea, the Byrds, Judy Collins, the Fujees, Andrea Marcovicci, Patti Lupone and the Texas Boys Choir. In addition to an award from BMI signifying over two million radio airplays, the song was adopted as an anthem in Ireland and received a Minute Man award from the U.S. Army for inspiring troops during the Persian Gulf War.

A graduate of Temple University of Philadelphia, Gold came to New York in 1978 with hopes of becoming a singer/songwriter. Although she had solid management, steady gigs and a powerful repertoire, she failed to make much progress until becoming involved with the Greenwich Village singer/songwriter scene that spawned the Songwriters Cooperative and the Fast Folk Music Magazine. Performing at open mics, Gold was befriended by such future stars as John Gorka, Suzanne Vega, Shawn Colvin and Christine Lavin, who became her mentor.

Gold replaced Patty Larkin in Lavin’s singer/songwriter revue Four Bitchin’ Babes in 1991. She remained with the group through the recording of their second album, Buy Me, Bring Me, Take Me: Don’t Mess with My Hair…Volume 2, singing lead and playing piano on her compositions, “Try Love,” “(Fun To Be) Perfect,” “Good Night, New York” and a new version of “From a Distance.”

In December 1997, Gold appeared with comedian Julie Halston in a show, Julie2, presented at the Eighty Eight in New York’s Greenwich Village. She recently completed a musical show, The Perfect Day, that she hopes to produce in the near future. Gold’s debut solo album, Dream Gold, was released in April 1998 and featured her original demo recordings of “Goodnight, New York” and “From a Distance.” Try Love followed two years later.

About the Ticket Supplier: The Duplex

The Duplex Cabaret Theatre is a 70-seat off-Broadway venue that features performances of all types nightly.

Since their humble beginnings in the 1950s, under the auspices of Hal Holbrook, the Duplex's first booking manager, DCT has served as a jewel in the crown of the NYC cabaret world. Performers such as Barbra Steisand, Woody Allen, Joanne Worley, Lovelady Powell, KT Sullivan, Karen Mason and Lea Delaria all are Duplex alumns. DCT audiences have been lucky enough to catch premiere versions of hits like Nunsense; Hello Muddah! Hello Faddah!; and a slew of other new shows.

More recently, DCT has been the venue of choice for The Storefront Theatre's award-winning New Mondays series, featuring new work from composers both up-and-coming and legendary, from Frank Wildhorn to Stephen Schwartz, Charles Strouse to Galt MacDermot, Jason Robert Brown, Michael John LaChiusa, Andrew Lippa and many others. Also, DCT's popular Dowtown Revivals series features one-night-only engagements from the brightest lights on the cabaret circuit.