New York Phil's Rush Hour Series: Brahms' Piano Concerto No. 1
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Pulitzer-winning trumpeter and Jazz at Lincoln Center artistic director Wynton Marsalis has called Marcus Roberts "the genius of the modern piano," and there's no question that he's one of the greatest jazz pianists and composers working today. Since his Jazz at Lincoln Center debut in 1987, Roberts' deeply significant recorded and commissioned works have honored some of his most revered predecessors of the piano. Roberts has a long history of treasuring the tenets of jazz through his work, which, for the last quarter century, has epitomized preservation through innovation. Joining him for this musical exploration of the Piano Masters of Melody is his new ensemble The Modern Jazz Generation, a large ensemble that features nearly a dozen top musicians spanning three generations, including bassists Thaddeus Expose and Raviv Markovitz, drummer Jason Marsalis and sax man Ricardo Pascale. Learn More
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Hear Brahms’ Piano Concerto No. 1 on YouTube.
*Johannes Brahms (1833-1897)
Piano Concerto No. 1 in D Minor, Op. 15 (1854-58)*
The First Piano Concerto is a remarkable work from a young man who started out on his musical career as a piano player in the dives and taverns of Hamburg’s harbor. Its evolution was complex and its gestation long, due in part to Brahms’s self-critical nature and to the high expectations he would have to live up to in order to meet Robert Schumann’s prophecy about the then-just-20-year-old composer: He would “reveal his mastery not by gradual development but would spring, like Minerva, fully armed, from the head of Jove.”
Brahms revised the concerto even after its premiere in 1859. The concerto is symphonic in scope, lasting around 45 minutes. The rolling thunder of the timpani marks the concerto’s long and stormy orchestral introduction, whose mood, according to Joachim, was colored by events in Schumann’s life — his attempted suicide in 1854 and subsequent confinement in an asylum until his death two years later. The peaceful Adagio comes as blessed relief (“I am also painting a lovely portrait of you; it is to be the Adagio,” the composer wrote to Clara Schumann, Robert’s wife and Brahms’ platonic love). The Rondo finale with its two huge cadenzas brings this powerful and massively difficult work to a rousing conclusion.
In his book on Brahms, Burnett James wrote: “The D Minor Concerto is a direct and authentic transcript of Brahms’s deepest and most tortured experiences at the time of its production. It also marks the end of Brahms’s youthful romantic period. Never again was he to let himself go with such uninhibited passion; never again to wear his heart so unashamedly on his sleeve….”
About the Guest Artist
Pianist Radu Lupu is widely acknowledged as a leading interpreter of the works of Beethoven, Brahms, Mozart and Schubert. Since winning the prestigious Van Cliburn (1966) and Leeds Piano Competitions (1969), Mr. Lupu has regularly performed as soloist and recitalist in the musical capitals and major festivals of Europe and the U.S. He has appeared many times with the Berlin Philharmonic since his debut with that orchestra at the l978 Salzburg Festival under Herbert von Karajan, and with the Vienna Philharmonic, including the opening concert of the 1986 Salzburg Festival led by Riccardo Muti. He is also a frequent visitor to Amsterdam’s Royal Concertgebouw and all of the major London orchestras.
About the Ticket Supplier: New York PhilharmonicThe New York Philharmonic is by far the oldest symphony orchestra in the United States, and one of the oldest in the world. Founded in 1842 by a group of local musicians led by American-born Ureli Corelli Hill, the Orchestra currently plays some 180 concerts a year. On December 18, 2004, the Philharmonic gave its 14,000th concert--a milestone unmatched by any other orchestra in the world.
Since 1917 the Philharmonic has recorded nearly 2,000 albums; more than 500 recordings are currently available. In February 2003, the Orchestra was honored by The Recording Academy with a Trustees Award in recognition of its outstanding contributions to the industry and American culture. Members of the Philharmonic also performed on the 45th Annual Grammy Awards ceremony, televised internationally from New York's Madison Square Garden -- the first time that a major symphony orchestra had performed live on the Grammy Awards.